News:

Ron Koertge Writes for Huffington Post!

Date: March 16, 2020

Author Ron Koertge wrote a post for Huffington Post about why he loves to write flash fiction: “Flash fiction doesn’t mind giving pleasure. It has a palpable level of affection for its […]

Amy Schutzer Opens Up to Shelf Unbound

Date: March 16, 2020

Amy Schutzer gave an interview to Shelf Unbound and talked about her creative writing process and influences for her new book, Spheres of Disturbance. “When I begin a novel, it is […]

House Arrest excerpt posted on Shaking Like a Mountain

Date: March 16, 2020

If you have ever wanted to get a taste of Ellen Meeropol’s writing, here is a great opportunity. Shakinglikeamountain.com has posted an enticing excerpt from Ellen’s Spring 2011 title House Arrest. […]

Elise Paschen in Harvard Magazine

Date: March 16, 2020

Elise Paschen was featured in Harvard Magazine in a great article about her career as a poet. “Paschen’s poems are sharp arrows piercing some target in her personal landscape. Infidelities explores both the pleasures […]

Ship of Fool reviewed on Ron Slate’s website

Date: March 16, 2020

David Clewell, Poet Laureate of Missouri, gave an excellent review of William Trowbridge’s newest poetry collection Ship of Fool on Ron Slate’s website, On the Seawall. Focusing on a few of his […]

My Life in Clothes… in The Economist!

Date: March 16, 2020

Summer Brenner’s My Life in Clothes has received a very nice review in The Economist! The title of the piece? “You should be reading Summer Brenner.” We agree! They go on to say, […]

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Reviews:

Luke Goebel’s KILL DICK reviewed by Publishers Weekly

Date: February 3, 2026

The daughter of a pharmaceutical executive gets ensnared in criminal mischief in this ambitious blend of social satire and sunshine noir from Goebel (Fourteen Stories, None of Them Are Yours). […]

Luke Goebel’s KILL DICK reviewed by Kirkus Reviews

Date: January 27, 2026

“…Shot through with the sort of pseudo-profundity endemic to youthful privilege, Susie’s rambling, terminally jaundiced narrative paints a darkly surreal Lynch- and Kubrick-inspired portrait of LA.”

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