News:

The IBPA Highlights 30 years of Sucess at Red Hen Press

Date: March 4, 2025

In 1994, Kate Gale and Mark E. Cull co-founded Red Hen Press from their Los Angeles home, selling nearly all they owned to begin publishing poetry, fiction, and creative nonfiction from talented writers. Today, Red […]

KCBX features Yang Huang, author of OASIS

Date: February 4, 2025

Berkeley, California based author Yang Huang shares tales of growing up in China, post cultural revolution. And how, on the heels of the Tiananmen Square protests, she was empowered to […]

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Reviews:

Interpretive Work reviewed by Nicky Beer in Diagram

Date: May 9, 2009

This fascination with naming necessarily leads to one of the book's recurring thematic questions: what do we really mean when we say nature and natural?…As the inaugural publication of Arktoi […]

Interpretive Work: reviewed in The Constant Critic by Jordan Davis

Date: May 9, 2009

Bradfield's poems are stocked full of unfamiliar words, statistically-improbable phrases, sonorous lines, shapely stanzas, endearing arguments and compelling personalities. Her recurring subjects wear much better than her recurring tropes. I […]

Confessions of an editor

Date: May 7, 2009

Review by Nina MacLaughlin in The Boston Phoenix, June 21, 2008 In Safe Suicide, an assemblage of revealing, interrelated essays, DeWitt Henry ” Emerson professor, writer, and founding editor and […]

A bountiful harvest of thoughts on life’s journey

Date: May 7, 2009

Review by Chuck Leddy in The Boston Globe, April 21, 2008 A bountiful harvest of thoughts on life's journeyBy Chuck Leddy April 21, 2008 Safe Suicide: Narratives,Essays, and MeditationsBy DeWitt […]

Safe Suicide: review by Rand Richards Cooper

Date: May 7, 2009

Safe Suicide reviewed by Rand Richards Cooper in AMHERST MAGAZINE, fall 2008In Safe Suicide, the Boston-based novelist, professor and editor DeWitt Henry has collected his autobiographical essays first published in […]

Andrew Kozma’s review in American Book Reviews

Date: May 6, 2009

"Green is an intensely formal poet–not in tone, but in construction. Look at that table of contents again: five groups of ten. A desire for symmetry, some revelatory order. He […]

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