M. Soledad Caballero

M. Soledad Caballero is a professor of English at Allegheny College. Her scholarly work focuses on British Romanticism, travel writing, postcolonial literatures, WGSS, and interdisciplinarity. She is a CantoMundo fellow, has been nominated for two Pushcart Prizes, has been a finalist for the Missouri Review’s Jeffry E. Smith Editors’ Prize in poetry, the Mississippi Review’s annual Editors’ prize, the Lucille Medwick Memorial Award, and the Ruth Stone Poetry Prize. Her poem “Myths We Tell” won the 2019 Joy Harjo Poetry Prize for Cutthroat: a Journal of the Arts. She is a co-recipient of a National Endowment for the Humanities Connections Grant, as well as a Great Lakes Colleges Association Expanding Collaborations Initiative Grant. Her first poetry collection won the 2019 Benjamin Saltman Poetry Award sponsored by Red Hen Press. Caballero splits her time between Meadville and Pittsburgh, Pennsylvania.


All Books

Flight Plan

M. Soledad Caballero

Publication Date: September 2, 2025

$17.95 Tradepaper

ISBN: 978-1-63628-252-7

Description:

Flight Plan charts the trajectories of bodies and birds, navigating the dynamic interplay of past, present, and what happens in the in-between. These lyrical poems map the aftermaths of cancer, the varied routes of migration, and the geographies of memory. They document stories of love and its legacies, personal, familial, and national. They reject reductive diagnoses and soar and hunt with birds of prey. In this inventive collection, cancer transforms the body, art ignites healing, and faith is a restless vexation. M. Soledad Caballero urges us to remember that women’s aging bodies are evocative, that disease is a hungry creature, and that the interstices of blood and flesh are universes teeming with possibility.

ADVANCED PRAISE

M. Soledad Caballero’s Flight Plan is the compelling account of a ragged body in mid-flight to survival told through a cellular lyric. Caballero is a daughter who’s looking at the plot of history to “find more than bones.” This stunning book is an elegy for the body before, an ode for the body after.
Carmen Giménez, author of Be Recorder

M. Soledad Caballero’s second poetry collection, Flight Plan, is a meditation on the body: the immigrant body, aging body, female body, and bodies of land and water. In these poems, the body always exists in a gray space, in the middle. Caballero’s poems often leave us hanging in midair where everything exists in the pause between here and there, then and now. I was held in suspense and awe as I read these poems that often left me feeling like I was hovering in midair, or wading in water between countries, or diagnosis, waiting for the literal or figurative plane to crash—to be deported or for the cancer to return. Whether it is in her depiction of cancer as a “gray mamba so beautiful so deadly,” snaking its way into cells, or the description of her mother as “a mermaid with green eyes and a green voice,” Caballero masterfully uses visceral language and vivid imagery to hold space for both sorrow and hope, beauty and pain, the light and the dark, the water and the land. This much anticipated second book is a must-read for anyone living or experiencing life in the “in between.”
Jasminne Mendez, author of City Without Altar

I Was a Bell

M. Soledad Caballero

Publication Date: September 7, 2021

$16.95 Tradepaper

ISBN: 9781597094900

Description:

*Winner of the 2021 International Association of Authoethnography and Narrative Inquiry Award for Outstanding Book*

*GOLD MEDALIST in the 2022 International Latino Book Awards for the Juan Felipe Herrera Best Poetry Book Award – One Author – English*

In this collection, Caballero imagines how memory frames and reshapes the present, how memory illuminates and limits the stories of ourselves, and how, despite the passage of time, primal moments in the past are the ghosts and echoes of our present. These poems interweave an early childhood lived in another country and in another language with experiences of immigration and family histories in the United States. They create connections between a child’s naïve perspective of dictatorship and an adult perspective informed by bodily illness and political knowledge. Ultimately, Caballero traces a lineage of memory, exploring how present moments unearth the past that ripples through them. This collection does not reconcile the past and the present. Instead, these poems remind us that how we ask questions about ourselves, our histories, and our bodies is what creates our identities, our traumas, and our future hopes and possibilities.

ADVANCE PRAISE

Caballero bears unflinching witness to the emotional trauma inherited from war-ravaged Chile to the exiled plains of Oklahoma. As though to witness is to love. These poems negotiate the transitions of language, memory, country, her battle with cancer, counterbalancing the violence from which she fled with a transformative devotion to details.—Richard Blanco, fifth Presidential Inaugural Poet

I Was a Bell is a triumph, a gutting cry of love and longing for all that migration sows and uproots in the survivors of exile. In retracing her family’s story of leaving Chile under Pinochet to 1980s Oklahoma, M. Soledad Caballero gives soaring voice to the ways history, memory, and the collective weight of our disappeared lives silenced, but never unheard, in our bodies and hearts. It’s hard to express how much these poems made unnamed parts of me feel seen.—Natalia Sylvester, author of Everyone Knows You Go Home and Chasing the Sun

News

M. Soledad Caballero featured in TuftsNow!

When M. Soledad Caballero, AG02, thinks back to her childhood, she remembers not one, but two.  Born in Santiago, Chile, in 1973, the year a group of military officers seized power from then-president […]