Richard Jackson is the author of ten books of poems, most recently Resonance (Ashland Poetry Press, 2010), Half Lives: Petrarchan Poems (Autumn House, 2004), Unauthorized Autobiography: New and Selected Poems (Ashland, 2003), Heartwall (University of Massachusetts, 2000 Juniper Prize), and Svetovi Narazen (Slovenia, 2001). His own poems have been translated into fifteen languages. He has edited two anthologies of Slovene poetry, the Selected Poems of Iztok Osojnik (Slovenia), and Poetry Miscellany. In 2000, he was awarded the Order of Freedom Medal for literary and humanitarian work in the Balkans by the President of Slovenia and has received a Guggenheim, NEA, NEH, two Witter-Bynner and Fulbright Fellowships, and five Pushcart Prizes. He has won two teaching awards at UT-Chattanooga and the Vermont College MFA program. His previous book of translation is Alexander Persolja’s, Potovanje Sonca (Journey of the Sun) from Slovene, 2008.
Richard Jackson, Deborah Brown, Susan Thomas
Publication Date: October 1, 2010
This first appearance of Pascoli’s poems in English translation provides an introduction to his work for the English-speaking reader. The first section of the book includes some of Pascoli’s brief lyric poems, many of them displaying his innovative use of image narrative. We see scenes of country life in his village near Barga, Italy, in the Apuan Alps, at the end of the 19th century. We see the aurora borealis, chickens, donkeys, women hanging laundry, the new railway and men crushing wheat.
The second part of the book consists of three somewhat formal narrative poems set in classical Rome and Greece.
The book ends with a long narrative sequence, an exciting and poignant re-imagining of Odysseus’ famous tale told from the perspective of an old man. The aging hero falls asleep by the fire with Penelope and dreams a final voyage, in which he reassembles his old crew and visits the scenes of his earlier adventures: Circe, the Sirens, the Cyclops, Lotus Eaters and Calypso.
—As this is the first time Pascoli has been translated into English, Last Voyage will be of great importance to all those interested in Italian poetry and modern poetry, as well as students of classical literature.
—Pascoli’s influence on Pavese and Montale is well known by students of Italian literature. He continues to be considered an important Italian poet, but has never been available to English readers.
—The reimagined voyage of Odysseus that comprises the book’s third part will also be of great interest to those who read classic literature and those interested in the workings of a modern imagination on classical narratives and forms.