News:

The Swamp

Date: June 4, 2020

It is Fourth of July weekend, and until a few days earlier, we had forgotten that for coastal towns this is prime time for tourism. Despite the busy sidewalks and […]

The Oregonian: Poems for the Pandemic

Date: June 4, 2020

Kim Stafford’s days have a rhythm, a routine. Oregon’s poet laureate wakes before dawn. He takes a long walk around his neighborhood. When he returns to his home in Southwest Portland, […]

Black Earth Institue: Social Distancing

Date: June 4, 2020

In dreams I walk through crowds, brushing arms, knocking elbows. Skin to skin: hands are bare. Crocuses congregate in beds, along sidewalks. Unlatching city gates,

Poets.org: Aerial, Wild Pine

Date: June 4, 2020

A flare of russet,green fronds, surpriseof flush againstthe bare grey cypressin winter woods. Cardinal wild pine,quill-leaf airplantor dog-drink-water.Spikes of bright bloom–exotic plumage.

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Reviews:

Library Journal reviews Subduction

Date: June 3, 2020

VERDICT Gorgeously, toughly written, this book dares to be open-ended yet leaves readers with a satisfying sense of how life really unfolds. Cultural clash matters here, but personal differences and […]

The Paris Review: Staff Picks Subduction

Date: May 21, 2020

Kristen Millares Young’s debut novel Subduction takes as its subject a subtle clash of culture in the Pacific Northwest. The novel’s protagonist, Claudia, is an anthropologist fleeing the remains of her marriage […]

Midwest Book Review recommends Lifesaving for Beginners

Date: March 16, 2020

TBT! In a mid-April review, Midwest Book Review recommended Anne Edelstein’s memoir Lifesaving for Beginners. The recommendation reads, “It is no surprise that Lifesaving for Beginners is an deftly crafted, engagingly presented, intensely […]

The Mindful Word reviews CIRCADIAN

Date: March 16, 2020

Many thanks to The Mindful Word for this lovely review of Chelsey Clammer’s CIRCADIAN, noting “Clammer is swift with language, intelligent and funny. She’s lyrical, poetic and sometimes mesmerizing in her prose. […]

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