Kirkus Reviews Puts YOUR NOSTALGIA IS KILLING ME By John Weir on its Best Short Fiction of 2022 List!
Date: November 14, 2022
Sharp, elegiac, angry, funny stories with a searing loneliness often just underneath the surface.
Date: November 14, 2022
Sharp, elegiac, angry, funny stories with a searing loneliness often just underneath the surface.
Date: November 7, 2022
The upcoming book recounts the author’s experiences as drummer/percussionist with Dead Can Dance through the 1980s, his contribution to This Mortal Coil and being a guest on several 4AD recordings. […]
Date: November 7, 2022
Pamela Uschuk is a poet, political activist, and wilderness advocate. She is also a cancer survivor, and in this week’s segment of KNAU’s series PoetrySnaps!, she shares a poem that […]
Date: November 7, 2022
Poet Anna V.Q. Ross knows what to leave unsaid, knows the just enough to send the reader’s blood and mind alight.
Date: November 7, 2022
Allison Joseph, a poet of Caribbean descent, visited Bradley on Nov. 3 in the Wyckoff Room of the Cullom-Davis Library to present a reading of her own poems and her […]
Date: November 2, 2022
All the way from England, my very special guest drummer/ percussionist Peter Ulrich of Dead Can Dance and The Peter Ulrich Collaboration. Peter has written a new book called “Drumming […]
Date: October 27, 2022
Bestselling authors William Bernhardt and Rene Gutteridge discuss the latest news from the book world, offer writing tips, and interview Cai Emmons, author of two new books this month, Livid […]
Date: October 25, 2022
“I Only Cry with Emoticons” by Yuvi Zalkow (2022) Portland writer Yuvi Zalkow captures today’s simultaneously awkward and endearing digital age with “I Only Cry With Emoticons.” The novel’s protagonist […]
Date: October 17, 2022
William Archila’s The Gravedigger’s Archaeology won the Letras Latinas/Red Hen Poetry Prize and his first collection The Art of Exile won an International Latino Book Award. He was featured in Spotlight on Hispanic Writers, […]
Date: October 17, 2022
“The Colonel” is a poem of witness because it focuses on the human rights violations in El Salvador, but most importantly because it has revealed the ways in which a […]
Date: February 17, 2021
Rae considers the intersection of history and modernity in the American South in her provocative debut. “The South will birth a new kind of haunting in your black girl-ness,” she […]
Date: February 3, 2021
One facet in poetry’s beauty is its urgency. Its collective need–which is beyond desire–to facilitate a process that weaves its spill and story. Urgency is one of the driving forces […]
Date: February 3, 2021
This could be called a book of odes, of praise songs, of quests punctuated with wry asides. Of poems saying not what the poet starts out to say, but what […]
Date: February 3, 2021
In Melanie Conroy-Goldman’s novel, The Likely World, Mel lets a drug called “cloud” spread over her mouth and wrap her in a state of forgetfulness. The story is told in a […]
Date: January 20, 2021
Plume has a number of talented editors, and given the extraordinary year the world faced, I thought asking them for some of their favorite books of 2020 made sense, as […]
Date: January 14, 2021
In Dariel Suarez’s debut novel, The Playwright’s House, to be released in June from Red Hen Press, the realities of living in Havana under a communist state are brought alive through […]
Date: January 13, 2021
When Jennifer Risher joined Microsoft in 1991, she met her husband, and with him became an extra-lucky beneficiary of the dot-com boom. By their early thirties, they had tens of […]
Date: January 13, 2021
A book of eerie, unnatural-nature events pushing one lone and lonely lesbian, returned to small-town West Virginia from a law-enforcement career, to deal with Life. After many years’ effort to […]
Date: January 13, 2021
“Rift Zone” by Tess Taylor, is a powerful, moving collection of poetry giving voice to the voiceless, and to those who express theirs in a whisper, a whimper, a growl, […]
Date: January 13, 2021
I went on this journey, to be sure, knowing where I was headed. The historical part wasn’t that historical to my frame of reference; the queer part contained my frame […]