Date: June 30, 2020
Liu’s eponymous “glorious boy” exists at the intersection of families, communities, countries, cultures—and, for a while, life and death. His spirited, adventurous parents—Shep, a British doctor obsessed with the healing […]
Date: June 30, 2020
Deborah A. Lott is the author of Don’t Go Crazy Without Me: A Tragicomic Memoir. She’s also the author of In Session: The Bond Between Women and Their Therapists.
Date: June 30, 2020
There’s nothing quite like witness the emergence of cicadas from their 17-year slumber. Of course it’s rather the noise you won’t soon forget. My senior year of high school cicadas […]
Date: June 30, 2020
The pacific frothed at the shore, its distant gray spreading into white foam and retreating, flattened by its own mass against the long curve of the horizon. The sea has neither mercy […]
Date: June 30, 2020
IN APRIL 2020, Red Hen Press published Kristen Millares Young’s debut novel, Subduction. Described by the novelist Shawn Wong as “a lyrical forest of storytelling rooted in indigenous voices,” Young’s book […]
Date: June 30, 2020
Before I ended my conversation with Kristen Millares Young — journalist, essayist, and author of her debut novel “Subduction,” which was released in April — she wanted to tell me […]
Date: June 30, 2020
This month: Seattle-based author and journalist Kristen Millares Young, whose excellent debut novel, “Subduction,” set in Neah Bay, is a staff pick at The Paris Review. Young earned her master’s degree in creative writing in […]
Date: June 29, 2020
June Read With Jenna Book Club author Megha Majumdar recommends PIGS by Johanna Stoberock as one of five books to read next! See the full segment here!
Date: June 26, 2020
Don’t Go Crazy Without Me tells the tragicomic coming of age story of a girl who grew up under the seductive sway of her outrageously eccentric father. He taught her […]
Date: June 12, 2020
Maurya Simon reads poems from The Wilderness: New & Selected Poems 1980-2016 (2018). This reading was originally given with Peggy Shumaker as the inaugural reading in the Tom Sanders Memorial Reading Series.
Date: May 6, 2009
Dan Wickett, on the widely-read blog for his Emerging Writers Network, lists Earthquake I.D. as one of the best books of 2007, and awards it 4 stars. "A great, jam-packed […]
Date: May 6, 2009
Praise for Earthquake I.D. from Thomas Burke, in THE LITERARY REVIEW (50/3, Spring 2007): "an exploration of contrasts: opulence and destitution; the loved, the loving, and the dissatisfied; intractable guilt, […]
Date: May 2, 2009
"Everything I write requires this: Alphabet." A child sees letters first, "shape distinguishing itself from its background," but soon we lose the innocence of that first encounter to ideas of […]
Date: April 24, 2009
Dungy's first poetry collection offers a number of ways to look at what is considered to be a part of nature, whether it is a part of the plants or […]
Date: April 22, 2009
Sholeh Wolpe's Rooftops of Tehran is that truly rare event: an important book of poetry. Brushing against the grain of Persian-Islamic culture, she sings a deep affection for what she […]
Date: April 19, 2009
Perhaps there is no present, and existence is built of the alterable past moving into the alterable future, and then through the opaque door of death. Or perhaps there is […]
Date: April 18, 2009
http://edwardbyrne.blogspot.com/2007/04/leslie-heywood-proving-grounds.htmlMONDAY, APRIL 2, 2007Leslie Heywood: THE PROVING GROUNDSLeafing through the work in Leslie Heywood's premiere book of poetry, The Proving Grounds, one quickly becomes accustomed to uncovering sometimes uncomfortable and […]
Date: April 16, 2009
"In the debut collection from Kentucky poet Nickole Brown, readers experience the pleasures of poetry "the illuminated moment reverberating" as well as the pleasures of the novel–the narrative unfurling, driven […]
Date: April 16, 2009
"If you feel that high emotion and unalienated confession is not art, as Slavoj Zizek might assert that it cops to the System where the individual is valued for trying […]
Date: April 16, 2009
"Brown's awareness of the book's form, its how in addition to its what, allows for these poems' rich complexities. The order not only forms a linear narrative, but layers experience. […]
