Date: June 3, 2020
Last week, I spoke with Kristen Millares Young, author of the novel Subduction, released on April 14 by Red Hen Press. The story follows two such seekers to the tip of the […]
Date: June 3, 2020
Kristen Millares Young on Learning from Makah Tradition I am zipped into a tent on my friend’s beachfront lawn. Caring for her mom and kids, she has a full house, […]
Date: June 2, 2020
I don’t remember when or how Kristen Millares Young and I became friends, but I know it happened in Coast Salish territory, specifically Seattle, where she lives and I left. Subduction, her debut novel […]
Date: June 2, 2020
Ms. Magazine Ms. Feminist Know-It-All features Subduction! In this utterly unique and important first novel, Young examines themes of love, intrusion, loss, community and trust against a backdrop of a […]
Date: June 2, 2020
There are a lot of moving, shifting pieces that comprise Kristen Millares Young’s stunning debut novel, Subduction; its characters are equal parts voyeurs and participants in their own unraveling, and the Pacific […]
Date: June 2, 2020
Kristen Millares Young was preparing for a number of events this spring to support her novel Subduction. Now, she’s in a very different position — one of many writers lacking one […]
Date: June 2, 2020
Reading literature can give us a place to turn right now — and not just because it’s comforting. It’s because it helps us grapple with enormous ruptures in time. There’s […]
Date: June 2, 2020
MARY LOUISE KELLY, HOST: Photographer Dorothea Lange had an eye for capturing what was going on around her – the Great Depression, Japanese American internment camps during World War II. […]
Date: June 2, 2020
Atop the Earth’s mantle, rock moving: Continents are milk skin floating on cocoa. A restless interior sweeps them along. In trenches minerals decay— at the core landmasses digest themselves. The crust does not movein one […]
Date: June 2, 2020
Hulky & afloat on seas of parkingthe old Plaza dated from the fifties— sold Day Glo Ice & jelly […]
Date: May 6, 2009
Dan Wickett, on the widely-read blog for his Emerging Writers Network, lists Earthquake I.D. as one of the best books of 2007, and awards it 4 stars. "A great, jam-packed […]
Date: May 6, 2009
Praise for Earthquake I.D. from Thomas Burke, in THE LITERARY REVIEW (50/3, Spring 2007): "an exploration of contrasts: opulence and destitution; the loved, the loving, and the dissatisfied; intractable guilt, […]
Date: May 2, 2009
"Everything I write requires this: Alphabet." A child sees letters first, "shape distinguishing itself from its background," but soon we lose the innocence of that first encounter to ideas of […]
Date: April 24, 2009
Dungy's first poetry collection offers a number of ways to look at what is considered to be a part of nature, whether it is a part of the plants or […]
Date: April 22, 2009
Sholeh Wolpe's Rooftops of Tehran is that truly rare event: an important book of poetry. Brushing against the grain of Persian-Islamic culture, she sings a deep affection for what she […]
Date: April 19, 2009
Perhaps there is no present, and existence is built of the alterable past moving into the alterable future, and then through the opaque door of death. Or perhaps there is […]
Date: April 18, 2009
http://edwardbyrne.blogspot.com/2007/04/leslie-heywood-proving-grounds.htmlMONDAY, APRIL 2, 2007Leslie Heywood: THE PROVING GROUNDSLeafing through the work in Leslie Heywood's premiere book of poetry, The Proving Grounds, one quickly becomes accustomed to uncovering sometimes uncomfortable and […]
Date: April 16, 2009
"In the debut collection from Kentucky poet Nickole Brown, readers experience the pleasures of poetry "the illuminated moment reverberating" as well as the pleasures of the novel–the narrative unfurling, driven […]
Date: April 16, 2009
"If you feel that high emotion and unalienated confession is not art, as Slavoj Zizek might assert that it cops to the System where the individual is valued for trying […]
Date: April 16, 2009
"Brown's awareness of the book's form, its how in addition to its what, allows for these poems' rich complexities. The order not only forms a linear narrative, but layers experience. […]
