Annika Rose

Ancient and contemporary myths—including both Ovid’s Metamorphoses and Ira Levin’s Rosemary’s Baby—overlay a coming-of-age story set in remote northern Minnesota.

Seventeen-year-old Annika Rose and her father Wes have spent the years since the death of Annika’s mother in self-imposed social isolation on their farm on the edge of the woods. When a young woman named Tina moves into a house down the road, the result is a sudden explosion of feelings in both father and daughter and a fierce rivalry. At stake in the competition is not only their relationship, but the life of the vulnerable young woman at the center of it all.

ADVANCE PRAISE

Eighteen-year-old Annika Rose is a recent high school graduate who has lived alone and largely self-sufficiently with her widowed father on a farm in Minnesota. Although she has never made connections with her peers, she takes palpable joy in her life with her father, and in her skills as a woodswoman. She presents as capable and largely content, but when a couple of bohemian musicians take over the neighboring house, both Annika Rose and her father become infatuated with the pretty and vulnerable wife. This increasingly strange and disturbed dynamic will eventually upend their peaceful existence and send Annika Rose hurtling towards a previously unimaginable adulthood.

Annika Rose is a coming-of-age story unlike any you’ve ever read. This novel peels back the skin of the genre’s tropes to reveal all of the sticky weirdness that exists beneath. Annika Rose’s narrative is a journey into deep psychic wildness where love, desire, envy, power, and violence collapse into one another. We open with what presents initially as a love triangle, but quickly reveals itself to be the face of a much more complex and multidimensional geometry of desire. The setting, at the edge of farm country in the age of supermarkets, is more than a backdrop. The creatures and hazards of the deep woods the characters still roam serve as an insistent reminder of the feral impulses powering our rational minds. Annika Rose is also a page-turner and compulsively readable, its sentences at turns as restrained and untamed as the country it describes. 
—Melanie Conroy-Goldman, author of The Likely World

“Cheri Johnson’s novel Annika Rose is a marvel of invention whose always knowing prose, alternately heartbreaking and hilarious, simultaneously glimmers and cuts. A magician with character, Johnson’s most artful alchemy comes in her protagonist Annika, who, if there is a meritocracy, will become as memorable a first name in literature as Holden or Huckleberry as teenagers choked and befuddled by angst, adventure, and an ever-encroaching and frightening very real world. Annika—an eighteen-year-old post-modern Laura Ingalls inhabiting a little trailer on the prairie—is a breathing contradiction, both an old soul and a doe-innocent naif. Yet her battle—to speak when uncomfortable truths finally outweigh convenient myths—is as ageless as both life and death.”

—Neal Karlen, author of This Thing Called Life: Prince’s Odyssey On + Off the Record

“Part coming-of-age story, part ode to the landscape of northern Minnesota, this is also a horror story that reflects the larger horror of adolescence, of a girl’s fight for integrity in the face of demolished innocence. How could we forget Annika after we meet her? Her character is seared upon my brain. She is reminiscent of other stubborn, opinionated characters who struggle in the limbo between childhood and adulthood: Huckleberry Finn, Laura Ingalls, and Scout Finch.”

—Amanda Coplin, author of The Orchardist