Bone Light

In Bone Light, Orlando White’s debut volume, he explores the English language from a Diné (Navajo) perspective. He invites us to imagine that we, as a people all people in this imaginary country called the United States–are speaking an Indigenous language and that the English language exists merely as a remnant of the colonial past.


Despite its tenuous existence in this re-imagined present, English remains a danger to Indigenous thought, as it threatens to impose an alien worldview through its vocabulary and syntactical maneuvers. Historically, English was used by non-Natives to document Indigenous cultures; against this historical backdrop, White also writes to document, but he works to create something more beautiful than harmful. He does not attempt a critique of the English language; he works with it and against it to gain a better understanding of its peculiarities and limits, creating a relationship through these sometimes humorous, sometimes irreverent acts of exploration.


Throughout Bone Light, Orlando White approaches the English language as if he has just encountered it, as if it were a mysterious set of symbols. Focusing on the particles of the language, the punctuation marks, the letters, the spaces between word, he turns them a while in his hand like strange inexplicable artifacts from a lost world, then sets to work, refashioning them into something he can use.

Embossed text stating Bone Light and black text stating Orlando White over a grey background with minimalist abstract art of a black and red flower.

Orlando White ( Author Website )

Publication Date: February 15, 2009

Genre/Imprint: Poetry, Red Hen Press

$15.95 Tradepaper

Shop: Red Hen, Bookshop, Barnes & Noble

ISBN: 978-1-59709-135-0

Reviews

Elizabeth Robinson reviews Bone Light

Bone Light Orlando White. Red Hen (CDC, dist.) $15.95 (64p) ISBN 978-1-59709-135-0 Orlando White’s Bone Light recreates poetry from the molecular level. His vision presents language letter by letter: as body, as recipe, as originary myth, as admonition. Here, poetry moves stealthily through the smallest increments, in the “pause between ink and letter when words […]

Small Press Bookwatch, Midwest Book Review June 2009 issue

Language can be an intriguing subject, and author Orlando White explores the language we speak every day, English. "Bone Light" is his discussion through verse of the subject, exploring the nuances and treating English as if it were a foreign language in concept.

Gabriel Gomez of Local iQ reviews Bone Light

The work of the poet is one of reassessment: it's a continual look at the intricacies and minutiae of a world outfitted with a voluminous gadgetry of words. Poems, at best, are samplings of larger pieces of a broad experience. They reveal the urge to speak with an authoritative voice through the systems of language. […]

Library Journal Issue 5/Arts and Humanities

"Everything I write requires this: Alphabet." A child sees letters first, "shape distinguishing itself from its background," but soon we lose the innocence of that first encounter to ideas of sound, sequence, and sense, some fixed order separating right from wrong. In this debut, White, a Dine' (Navajo), never gives up the innocence of the […]