The Skin of Meaning is award-winning poet Keith Flynn’s sixth and most wide-ranging collection, seeking to find the tangible analogs and visceral meanings hidden behind the daily bombardment of digital information and hoping to restore the mystery in our involvement with language. From the etymologies of pop culture, history, astronomy, and rock and roll, these poems fan out into a bold multiplicity of voices and techniques. Flynn’s work illustrates the meaning that is also created through tense collisions and is populated with figures in resistance to the status quo, a gathering as varied as Caravaggio, Nina Simone, Gaudi, Villon, Wonder Woman, and Manolete. The final section examines America’s fascination with violence and death, revealing that “a human being in love with mystery is never finished.” This collection constantly challenges our assumptions about the world we think we see and is teeming with evidence of another invisible world bristling like an underground river beneath our feet.
“For some time we’ve been waiting for a poet to appear who could adequately confront the vast and deliriously complex matter of the USA—its people, its art, its material and popular culture, its misdeeds and its election mistakes. Also, one who could respond to the artistic legacy of Europe. Keith Flynn is that poet. His range is wider than any poet’s I’m aware of, a range matched by his varied diction and his fluent mastery of syntax. The apparent ease he brings to this thorny project is one of the work’s most impressive aspects. I urge readers to greet this book with the praise it deserves.”—Alfred Corn, author of Unions
“Keith Flynn is a brilliant, bodacious poet at the top of his sonic, linguistic game in this new volume of poetry, The Skin of Meaning, with poems that dance off the page in arpeggios of flight, gripping the reader’s imagination and taking American poetry in a new, exhilarating direction.”—Quincy Troupe, author of the recent books, Ghost Voices, Seduction and the memoir, Miles and Me