Mitchell Douglas

Mitchell L. H. Douglas is an assistant professor of creative writing at Indiana University-Purdue University Indianapolis (IUPUI). His poetry has appeared in Callaloo, The Ringing Ear: Black Poets Lean South (University of Georgia Press), Crab Orchard Review, and Zoland Poetry Volume II (Zoland Books), among others. A founding member of the Affrilachian Poets, a Cave Canem fellow, and poetry editor for PLUCK!: The Journal of Affrilachian Arts & Culture, Cooling Board: A Long-Playing Poem is his debut collection. Before its publication by Red Hen Press, Cooling Board was a runner-up for the 2007 Stan and Tom Wick Poetry Prize, a semifinalist for the 2007 Blue Lynx Prize, and a semifinalist for the 2006 Crab Orchard Series in Poetry First Book Award. A native of Louisville, Kentucky, he resides in Indianapolis.

All Books

Cooling Board: A Long Playing Poem

Mitchell Douglas

Publication Date: February 15, 2009

$19.95 Tradepaper

ISBN: 978-1-59709-140-4


In the tradition of the Langston Hughes’ classic Montage of a Dream Deferred, Mitchell L. H. Douglas uses persona poetry to explore the personal and professional struggles of soul legend Donny Hathaway in his debut collection Cooling Board: a Long-Playing Poem. Douglas presents a narrative in two sides: side one focusing on Hathaway’s development as a young musician and subsequent rise to fame and side two bearing witness to the adversity that plagued his later years. Readers see Hathaway as true to his family and faith, and uncompromising in his quest for musical innovation.

In a nod to Hathaway’s legacy as a musical trailblazer, Douglas implements a significant poetic innovation through the book’s format. By including alternate versions or “takes” of poems readers receive new information and interpretations of the poems. It can be likened to an album with previously unreleased versions of popular songs. Along the way, poems resembling liner notes and pop charts enhance the experience, reminding readers that the music is the heart of this ride.

Above all, Douglas’ depiction of Hathaway reveals the human side of a man who has remained a mystery in the time since his death. Not only does the poet speak in the voices of Hathaway and his long-time collaborator Roberta Flack, the reader also hears the voices of those closest to Hathaway whom we are less familiar with: his mother, Drusella Huntley, his grandmother, Martha Crumwell—Hathaway’s earliest music teacher—and his wife, Eulaulah.

With Douglas as a guide versed in the power of possessing many tongues, Cooling Board captures its reader like the best Hathaway song: passionately, honestly, and with an undeniable sense of purpose.