Date: June 4, 2020
Poet Tess Taylor questioned what it means to be creative, when every day feels like a radical reinvention of life. “These days, helping myself and my family steer a way around sadness, […]
Date: June 4, 2020
LINCOLN, Neb. — My mother was born into a flu-stricken household at the height of the pandemic of 1918. Within minutes she was swaddled in a homemade quilt and placed […]
Date: June 4, 2020
1985 Long and black, the streaksof gray, aflutter in the lightwind as she prepares to tell her story at the Federal Building:reaching into a tattered sackshe pulls out a doll […]
Date: June 4, 2020
The Skin of Meaning He was late to the party and without directions,though his invitation was secure, and his instinctskeenly honed to an acceptable edge, and as we arewaiting to […]
Date: June 4, 2020
Ascension Didi Jackson The blue jays lay claimto the raspberry busharriving in groups of four or five:one holds a rubied berry in its beakand feeds it up in the white […]
Date: June 4, 2020
after Käthe Kollwitz I heard they no longer sew eyelids of the dead shut.At the morgue, I busied myself countingthe lacerations on my husband’s neck and wrists.I wore sunglasses and […]
Date: June 4, 2020
Major Jackson: I’m fluctuating between abject fear and inexplicable optimism. Mitch Wertlieb: That’s poet Major Jackson, who lives in South Burlington. And you may have heard a bit of laughter […]
Date: June 4, 2020
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Date: June 3, 2020
My new novel Glorious Boy began with a dream. On a tropical island during an emergency evacuation, a young girl was hiding in a dense rainforest with a small, mute white boy […]
Date: June 3, 2020
Aimee Liu talks about GLORIOUS BOY, the excruciating process of writing, creating a memorable silent character, her shapeshifter dad, and so much more.
Date: October 28, 2020
Before delving into her own experience, however, Risher introduces the topic of wealth by depicting the expectations, gratitude, and worries that come with striking it rich. But hers is not […]
Date: October 28, 2020
What captivated me most of all was how Lara Ehrlich writes her characters. The stories feature women at different stages of life or different situations, and yet they feel familiar. […]
Date: October 22, 2020
UNDER NUSHAGAK BLUFF by Mia C. Heavener, SUBDUCTION by Kristen Millares Young, and SUMMER OF THE CICADAS by Chelsea Catherine were all featured on the newsletter World Wide Work: Books, […]
Date: October 19, 2020
“The poems in Rift Zone exist in a moment before rupture, an overhang of historic land fractured by histories revised and erased. Taylor magnifies these tensions when she recalls the instabilities of […]
Date: October 12, 2020
“Poetry is Joshua Rivkin’s art, but he approaches it with the keen observational powers of a scientist. Children learn to model themselves after their parents, but will often closely watch […]
Date: October 11, 2020
“Perhaps the sheer amount of time devoted to the work is part of the magic. McClanahan’s essays were written in the 2000s, most in and around 9/11, when she and her husband decided […]
Date: October 11, 2020
These deceptively simple poems enlarge with repeated readings; they unfold greater meaning each time and leave a reader with much to contemplate about identity, cultures, generational wisdom, and values… Click […]
Date: October 10, 2020
The subtitle “A Memoir in Essays” suggests that this memoir will follow a nontraditional narrative, and its unexpected movements are part of the reward. The narrative rises and falls with […]
Date: October 8, 2020
“There is this kind of appeal for readers in the highly recommended Animal Wife, Red Hen Press’s Fiction Award winner, with its fresh take on the mythopoeic in relation to […]
Date: September 23, 2020
The cover of Lara Ehrlich’s debut short story collection, Animal Wife, might make you scream. On it, a quintessential 1950’s housewife, dressed in a frilly apron and with a bow in […]
