News:

On Diaspora, Encounter, and Emotional Restitution

Date: June 2, 2020

There are a lot of moving, shifting pieces that comprise Kristen Millares Young’s stunning debut novel, Subduction; its characters are equal parts voyeurs and participants in their own unraveling, and the Pacific […]

Literary Events Go Virtual in the Time of COVID-19

Date: June 2, 2020

Kristen Millares Young was preparing for a number of events this spring to support her novel Subduction. Now, she’s in a very different position — one of many writers lacking one […]

CNN: Tell us what you’re reading right now

Date: June 2, 2020

Reading literature can give us a place to turn right now — and not just because it’s comforting. It’s because it helps us grapple with enormous ruptures in time. There’s […]

The Harvard Review Online features “Found Poem: Pocket Geology”

Date: June 2, 2020

Atop               the Earth’s mantle, rock moving:               Continents are milk skin floating on cocoa.               A restless interior               sweeps them along. In trenches                                            minerals decay— at the core                        landmasses digest                  themselves. The crust does not movein one […]

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Reviews:

Jeannine M. Lesinski’s review on NewPages.com

Date: March 16, 2020

“The poem mingles aural and visual music: The caesurae [unable to be reproduced here] audibly create rhythm, while visually recalling the fragments of the fractal that are repeatedly broken down […]

Sixty Sonnets Reviewed in Rattle Magazine

Date: March 16, 2020

Sixty Sonnets, Reviewed by Maryann Corbett One look at the cover of Sixty Sonnets lets you know you’re dealing with a poet who’s got both slyness and chutzpah—at least if poet Ernest […]

The Poet of Wall Street

Date: March 16, 2020

Westechester Magazine writes about Jim Tilley, dubbed “The Poet of Wall Street,” and his new book of poetry, In Confidence, published by Red Hen Press.

FOREWORD praises EAT LESS WATER

Date: March 16, 2020

Thanks to Anna Call from Foreword for the great review of Florencia Ramirez’s EAT LESS WATER, calling it “a charming work that gets its point across beautifully.”

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