Ron Koertge Writes for Huffington Post!
Date: March 16, 2020
Author Ron Koertge wrote a post for Huffington Post about why he loves to write flash fiction: “Flash fiction doesn’t mind giving pleasure. It has a palpable level of affection for its […]
Date: March 16, 2020
Author Ron Koertge wrote a post for Huffington Post about why he loves to write flash fiction: “Flash fiction doesn’t mind giving pleasure. It has a palpable level of affection for its […]
Date: March 16, 2020
Jamey Hecht’s new manuscript Fate vs. United States has been declared a finalist in the just-concluded 2009 Marsh Hawk Press Poetry Prize. His 2009 Red Hen Press title, Limousine, Midnight Blue: Fifty […]
Date: March 16, 2020
The Latina Book Club recently announced its 2nd Annual Books of the Year List. All books chosen were either written by Latino authors, or contain noteworthy Latino characters. Verónica Reyes’ beautifully […]
Date: March 16, 2020
Amy Schutzer gave an interview to Shelf Unbound and talked about her creative writing process and influences for her new book, Spheres of Disturbance. “When I begin a novel, it is […]
Date: March 16, 2020
If you have ever wanted to get a taste of Ellen Meeropol’s writing, here is a great opportunity. Shakinglikeamountain.com has posted an enticing excerpt from Ellen’s Spring 2011 title House Arrest. […]
Date: March 16, 2020
Congratulations to William Trowbridge, Missouri’s newly appointed Poet Laureate! He’s the author, most recently, of Ship of Fool. His next collection, currently untitled, is due out in 2014. Read the press […]
Date: March 16, 2020
Elise Paschen was featured in Harvard Magazine in a great article about her career as a poet. “Paschen’s poems are sharp arrows piercing some target in her personal landscape. Infidelities explores both the pleasures […]
Date: March 16, 2020
David Clewell, Poet Laureate of Missouri, gave an excellent review of William Trowbridge’s newest poetry collection Ship of Fool on Ron Slate’s website, On the Seawall. Focusing on a few of his […]
Date: March 16, 2020
Red Hen Press is proud to announce that Elizabeth Bradfield’s collection Interpretive Work, published by Red Hen Press in 2008, won the Audre Lorde Award for Lesbian Poetry.
Date: March 16, 2020
Summer Brenner’s My Life in Clothes has received a very nice review in The Economist! The title of the piece? “You should be reading Summer Brenner.” We agree! They go on to say, […]
Date: March 16, 2020
“The poem mingles aural and visual music: The caesurae [unable to be reproduced here] audibly create rhythm, while visually recalling the fragments of the fractal that are repeatedly broken down […]
Date: March 16, 2020
To read Lyn Lifshin’s, Persephone, is to be energized by a flow of poems which catapult through the book’s 181 pages. Prophetically, none of her poems ends with a period […]
Date: March 16, 2020
Shanan Ballam, writing for New Letters Magazine, gives high praise to William Trowbridge’s Put This On Please. “Trowbridge’s technical and emotional gifts create a bond of trust with readers, making us want […]
Date: March 16, 2020
Sixty Sonnets, Reviewed by Maryann Corbett One look at the cover of Sixty Sonnets lets you know you’re dealing with a poet who’s got both slyness and chutzpah—at least if poet Ernest […]
Date: March 16, 2020
Huge thanks to Publisher’s Weekly for the review on BAD STORIES, which they call “A worthwhile foray into understanding and responding to the Trump era.”
Date: March 16, 2020
Westechester Magazine writes about Jim Tilley, dubbed “The Poet of Wall Street,” and his new book of poetry, In Confidence, published by Red Hen Press.
Date: March 16, 2020
Thanks to Anna Call from Foreword for the great review of Florencia Ramirez’s EAT LESS WATER, calling it “a charming work that gets its point across beautifully.”
Date: March 16, 2020
“Greene has come through an extraordinary trial both at home and abroad advocating for Peter. She is clear-eyed about the fact that both of her Russian-born children face unusual challenges, […]
Date: March 16, 2020
In the lead-up to the 2011 Tucson Book Festival, Jarret Keene published this review of Cynthia Hogue’s Or Consequence–in the Tucson Weekly (10 March 2011).
Date: March 16, 2020