Date: March 16, 2020
“Prophetic Outlook” [by Ernest Hilbert] Prophetic Outlook Crooks run the whole world, and the Dow just fell. Crap rules the airwaves. All your best plans stall. The air is dirty, […]
Date: March 16, 2020
Split This Rock named Tess Taylor’s The Forage House and Dan Vera’s Speaking Wiri Wiri under their annual poetry book recommendation list for 2013. “Every so often there is a book of poetry that […]
Date: March 16, 2020
Tar River Poetry gave a wonderful review of William Trowbridge’s Put This On, Please for their spring issue. He is praised for his skill of making poetry seem effortless and enjoyable for his […]
Date: March 16, 2020
Date: March 16, 2020
Red Hen Press is proud to announce that Judy Grahn’s book love belongs to those who do the feeling, published by Red Hen Press in 2008, won the 21st Annual Lambda Literary […]
Date: March 16, 2020
Poet David Mason, a professor of English at Colorado College, recently was named the 2009 Thatcher Hoffman Smith Creativity in Motion Prize recipient. The $40,000 will allow Mason to focus more […]
Date: March 16, 2020
David Mason, author of Ludlow and News From the Village, has been named the next Poet Laureate of the great state of Colorado! Press release here. Some downloadabe info here. From the Governer’s Office: GOV. RITTER TO […]
Date: March 16, 2020
Ron Koertge reads with Andrea Scarpino and Mindy Nettifree at Beyond Baroque’s RED(D)DRESS series, curated by Red Hen’s own Brendan Constantine and filmed by the fine folks of Poetry.LA
Date: March 16, 2020
Katharine Coles, the author Fault, as well as the forthcoming Flight and Reckless, has been named a 2012 Guggenheim Fellow! Congratulations, Kate! During her Guggenheim Fellowship period, she will be extending this work into a lyric […]
Date: March 16, 2020
STEAM LAUNDRY by Red Hen Poet Nicole Stellon O’Donnell was chosen as the 2017-2018 Statewide Alaska Reads program featured selection! Congratulations, Nicole!
Date: May 6, 2009
Dan Wickett, on the widely-read blog for his Emerging Writers Network, lists Earthquake I.D. as one of the best books of 2007, and awards it 4 stars. "A great, jam-packed […]
Date: May 6, 2009
Praise for Earthquake I.D. from Thomas Burke, in THE LITERARY REVIEW (50/3, Spring 2007): "an exploration of contrasts: opulence and destitution; the loved, the loving, and the dissatisfied; intractable guilt, […]
Date: May 2, 2009
"Everything I write requires this: Alphabet." A child sees letters first, "shape distinguishing itself from its background," but soon we lose the innocence of that first encounter to ideas of […]
Date: April 24, 2009
Dungy's first poetry collection offers a number of ways to look at what is considered to be a part of nature, whether it is a part of the plants or […]
Date: April 22, 2009
Sholeh Wolpe's Rooftops of Tehran is that truly rare event: an important book of poetry. Brushing against the grain of Persian-Islamic culture, she sings a deep affection for what she […]
Date: April 19, 2009
Perhaps there is no present, and existence is built of the alterable past moving into the alterable future, and then through the opaque door of death. Or perhaps there is […]
Date: April 18, 2009
http://edwardbyrne.blogspot.com/2007/04/leslie-heywood-proving-grounds.htmlMONDAY, APRIL 2, 2007Leslie Heywood: THE PROVING GROUNDSLeafing through the work in Leslie Heywood's premiere book of poetry, The Proving Grounds, one quickly becomes accustomed to uncovering sometimes uncomfortable and […]
Date: April 16, 2009
"In the debut collection from Kentucky poet Nickole Brown, readers experience the pleasures of poetry "the illuminated moment reverberating" as well as the pleasures of the novel–the narrative unfurling, driven […]
Date: April 16, 2009
"If you feel that high emotion and unalienated confession is not art, as Slavoj Zizek might assert that it cops to the System where the individual is valued for trying […]
Date: April 16, 2009
"Brown's awareness of the book's form, its how in addition to its what, allows for these poems' rich complexities. The order not only forms a linear narrative, but layers experience. […]
