Date: January 8, 2014
Chicano author and journalist, Daniel Olivas, heaped praise upon Verónica Reyes' poetry collection Chopper! Chopper! on Twitter, proclaiming it to be "powerful, heartbreaking, hopeful." View Olivas' tweet
Date: January 8, 2014
Poetic imagery does not manifest itself merely in words. What about the visuals created when a poem is on the page? The editors at the Poetry Foundation refer to this […]
Date: January 8, 2014
At first glance, Douglas Kearney's poems in his collection, Patter, consist of words clustered in impossible ways on the page, leaving the reader to wonder how they are read. Now, […]
Date: November 22, 2013
This month we hosted our annual anniversary luncheon celebrating 19 years of success. "Its (Red Hen's) success shows there is still an unquenchable thirst for exceptional literature in Pasadena and […]
Date: November 8, 2013
Mariano Zaro chats with William Archila for the sixth installment of the interview series from Poetry.LA. William Archila has not yet been published by Red Hen, but his second book […]
Date: October 3, 2013
Kim Dower talks with AM Northwest about "parenting your parents," one of the themes of Slice of Moon. To watch the video of this interview, click
Date: October 2, 2013
Helen Verongos from The New York Times chats with Tess Taylor about the many difficult themes of the poetry in her new book The Forage House. To read the full […]
Date: September 27, 2013
Verónica Reyes reads two poems from her new book, Chopper! Chopper! From Bordered Lives, in an
Date: September 13, 2013
Richmond Times-Dispatch's Michael Paul Williams covers the first-time meeting of Tess Taylor and another descendant of Thomas Jefferson, Gayle Jessup White. To read the full story, click
Date: September 11, 2013
Justin Goldberg from C-Ville Weekly talks with Tess Taylor about the use of poetry to discuss family history in The Forage House. To read the full interview, click
Date: March 6, 2014
In a recent review of Ron Koertge's The Ogre's Wife, Neil McCarthy (from his namesake blog, Neil McCarthy Poetry) expresses his jealousy and high regard for Koertge's fantastical poetry collection. […]
Date: March 6, 2014
Brendan Constantine's Calamity Joe received high praises for its humor and originality in Neil McCarthy's blog, Neil McCarthy Poetry. "It’s only a matter of time before someone coins an adjective […]
Date: March 6, 2014
Paula Mendoza recently wrote an analytical and positive review of Jessica Piazza's Interrobang for the Boxcar Poetry Review. Mendoza writes, "Piazza reads like the best hip-hop; verbal acrobatics that tempers […]
Date: February 13, 2014
FOCUS magazine's Amy Reiswig takes us into Gary Geddes' new collection of poems, What Does A House Want?, in which she proclaims, "Geddes is able to explore both our humanity […]
Date: February 5, 2014
Verionica Reyes's Chopper! Chopper! Poetry from Bordered Lives was called a "genunie treasure" by Vince Gotera in the North American Review. Read the full article in the most recent issue […]
Date: February 3, 2014
Eva Saulitis' collection of essays, Leaving Resurrection, was recently reviewed by Randon Billings Noble from the blog, As it Out to Be. Noble writes, "This collection is one that I […]
Date: January 30, 2014
Douglas Kearney's latest poetry collection, Patter, got an early review from blogger and The Rumpus poetry editor, Brian Spears, on his personal blog New in Des Moines. Spears describes the […]
Date: January 30, 2014
Glassworks reviewed Ernest Hilbert's latest poetry collection, All of You on the Good Earth, praising its use of perspective and observation to reflect on past and modern humanity. Writer Stephanie […]
Date: January 8, 2014
Jessica Piazza's poetry collection Interrobang recieves an enthusiastic review from literary site The Rumpus. Writer Mag Gabbert proclaims, "The experience of reading these poems is like wandering through a hall […]
Date: January 8, 2014
Pedestal Magazine reviewed Nicelle Davis' Becoming Judas, complimeting the poet on her unique ability to mix topics of religion, love and desire, among others, into one seemless collection. JoSelle Vanderhooft […]
