Date: February 15, 2024
In 2004, Francisco Aragón launched Letras Latinas under the Institute for Latino Studies (ILS) at the University of Notre Dame. As the institute’s literary arm, Letras Latinas has a mission […]
Date: February 14, 2024
Chapter One Sky hears no talking when Green leaves the sea cliffs. All he hears is the fog net snapping in the offshore wind, the whine of the plastic fabric […]
Date: February 14, 2024
Fresno State’s Master of Fine Arts Program in creative writing announced Southern California author William Archila won the 2023 Philip Levine Prize for Poetry book contest, which includes a $2,000 award and publication of […]
Date: February 14, 2024
Back in the day, books by popular authors were published in fall/winter. Not anymore, as proved by these forthcoming titles for spring and summer. We’ve got John Sandford, Leif Enger, […]
Date: February 14, 2024
The Call—I Thought I Knew My Family February 2012 Shizuko is sick, sick to death with this long agony. She lays still, her ninety year-old body motionless. Her wheelchair sits […]
Date: February 14, 2024
Alice Waters thinks David Mas Masumoto’s peaches could change the world. Today, Masumoto shares his search for the perfect peach and the shocking family secret that changed the history of […]
Date: February 14, 2024
In early January the American Academy of Poets elected Afaa M. Weaver, Diane Seuss, and Jericho Brown to its Board of Chancellors. I was thrilled by the news, because these […]
Date: February 1, 2024
Check out Henrietta Thornton’s review of NOW YOU OWE ME by debut Red Hen Press author ALIAH WRIGHT published in firstCLUE! “Readers are drawn into a gripping tale—I read it […]
Date: January 31, 2024
“A few years ago, my niece gave me a rock that says ‘you rock’ on it. I put it on my desk because I thought it was cute, but I […]
Date: January 31, 2024
The Winter 2024 issue of The Kenyon Review includes an essay by Carrie Cogan, the winner of the 2023 Kenyon Review Nonfiction Contest, selected by Leslie Jamison; work by the 2021 Kenyon Review Developmental […]
Date: September 20, 2023
Krueger offers a memoir about caring for a sick child in poetry form. Krueger explores connections between flora, motherhood, and illness in this poetry collection. The title refers to the way […]
Date: September 13, 2023
Acclaimed novelist and poet Laila Halaby’s memoir, The Weight of Ghosts, documents her struggle to bear up after the devastating loss after her first-born son, Raad, 21, was killed on the […]
Date: September 6, 2023
What does it mean to heal your inner child? To overcome past trauma? To find the puzzle piece that had been lost years ago, or in another life? In a […]
Date: September 6, 2023
Many American Jews are unaffiliated with Judaism. Some do not observe Jewish rituals in any regular way; others might not worship at all. And yet Jewishness still pervades their lives: […]
Date: September 5, 2023
Ghost Apples, the ninth collection of poems by University of Utah distinguished professor Katharine Coles, offers not only nature-based poems that stir and satiate hunger, but also serrated verse that […]
Date: September 5, 2023
“My story has never been mine to tell,” says novelist, poet, and creative writing teacher Laila Halaby in her memoir, The Weight of Ghosts. “It is squished between other people’s tall […]
Date: August 29, 2023
Author Madeleine Nakamura’s science fiction thriller “Cursebreakers,” embarks on a “mind bending” battle between magicians, witches, medical professionals and the military in the year 3016. All of the drama in this […]
Date: August 17, 2023
A Plucked Zither is Phuong T. Vuong’s sophomore poetry collection. Vuong’s poems draw upon her experience as a 1.5 generation Vietnamese American raised in Oakland, California, and echo the familiar themes […]
Date: August 15, 2023
CURSEBREAKERS by Madeleine Nakamura is a novel as electric as the lightning-bolt magic its protagonist wields, filled with curses, destruction, and piercing heartache. Sometimes vicious and violent; all times spectacular […]
Date: August 10, 2023
“Poems like these are as two-sided as Vuong’s title instrument: a zither plucked and plucked, played upon and snatched away. For every touch of warmth and musicality, she admits something […]
