Kirkus Reviews Puts YOUR NOSTALGIA IS KILLING ME By John Weir on its Best Short Fiction of 2022 List!
Date: November 14, 2022
Sharp, elegiac, angry, funny stories with a searing loneliness often just underneath the surface.
Date: November 14, 2022
Sharp, elegiac, angry, funny stories with a searing loneliness often just underneath the surface.
Date: November 7, 2022
The upcoming book recounts the author’s experiences as drummer/percussionist with Dead Can Dance through the 1980s, his contribution to This Mortal Coil and being a guest on several 4AD recordings. […]
Date: November 7, 2022
Pamela Uschuk is a poet, political activist, and wilderness advocate. She is also a cancer survivor, and in this week’s segment of KNAU’s series PoetrySnaps!, she shares a poem that […]
Date: November 7, 2022
Poet Anna V.Q. Ross knows what to leave unsaid, knows the just enough to send the reader’s blood and mind alight.
Date: November 7, 2022
Allison Joseph, a poet of Caribbean descent, visited Bradley on Nov. 3 in the Wyckoff Room of the Cullom-Davis Library to present a reading of her own poems and her […]
Date: November 2, 2022
All the way from England, my very special guest drummer/ percussionist Peter Ulrich of Dead Can Dance and The Peter Ulrich Collaboration. Peter has written a new book called “Drumming […]
Date: October 27, 2022
Bestselling authors William Bernhardt and Rene Gutteridge discuss the latest news from the book world, offer writing tips, and interview Cai Emmons, author of two new books this month, Livid […]
Date: October 25, 2022
“I Only Cry with Emoticons” by Yuvi Zalkow (2022) Portland writer Yuvi Zalkow captures today’s simultaneously awkward and endearing digital age with “I Only Cry With Emoticons.” The novel’s protagonist […]
Date: October 17, 2022
William Archila’s The Gravedigger’s Archaeology won the Letras Latinas/Red Hen Poetry Prize and his first collection The Art of Exile won an International Latino Book Award. He was featured in Spotlight on Hispanic Writers, […]
Date: October 17, 2022
“The Colonel” is a poem of witness because it focuses on the human rights violations in El Salvador, but most importantly because it has revealed the ways in which a […]
Date: March 16, 2020
Archeology of Desire Miriam Sagan. Red Hen (CDC, dist.), $8.95 (56p) ISBN 1-888996-32-3 Newly published poetry, which is the focus of this week’s column, rarely receives the level of attention […]
Date: March 16, 2020
Alphabet of Love Bart Edelman. Red Hen (CDC, dist.), $9.95 (72p) ISBN 1-888996-09-9 For some months, I have been intending to post a brief review of poet Bart Edelman’s book, […]
Date: March 16, 2020
“This meditative, grace-filled gem is moving and soul-enriching.” — Kathleen Gerard, blogger at Reading Between the Lines
Date: March 16, 2020
“how to get over is an instruction manual for the hopeless navigating uncomfortable personal spaces where the need to transform begins.” HOW TO GET OVER has been reviewed by The Blueshift […]
Date: March 16, 2020
Bone Light Orlando White. Red Hen (CDC, dist.) $15.95 (64p) ISBN 978-1-59709-135-0 Orlando White’s Bone Light recreates poetry from the molecular level. His vision presents language letter by letter: as […]
Date: March 16, 2020
Midwest Book Review provided a short review of Peggy Shumaker’s latest work Cairn: New and Selected. A collection of poems which encompass Peggy’s experiences in Alaska and Arizona, Midwest Book Review writes that […]
Date: March 16, 2020
The fantastic Florida Review gave a rave review of Cynthia Hogue’s In June the Labyrinth, calling it “a stunning and unforgettable book.” Thanks Florida Review!
Date: March 16, 2020
Avocations Sam Hamill. Red Hen (CDC, dist.), $19.95 (248p) ISBN 978-1-59709-086-5 Who can match him for range, passion, and scholarship? What aspect of poetry from Zen aesthetics to political engagement […]
Date: March 16, 2020
Poet, Michael Dennis, reviewed Amy Uyematsu’s The Yellow Door on his blog recently. For his daily book of poetry, he focused on how The Yellow Door shares lessons that we need to remember and […]
Date: March 16, 2020
“The poems have a sardonic, lacerating edge, in the mode of the best confessional poems which admit to the political (Lowell, Plath, Wojahn, etc.).”