Kirkus Reviews Puts YOUR NOSTALGIA IS KILLING ME By John Weir on its Best Short Fiction of 2022 List!
Date: November 14, 2022
Sharp, elegiac, angry, funny stories with a searing loneliness often just underneath the surface.
Date: November 14, 2022
Sharp, elegiac, angry, funny stories with a searing loneliness often just underneath the surface.
Date: November 7, 2022
The upcoming book recounts the author’s experiences as drummer/percussionist with Dead Can Dance through the 1980s, his contribution to This Mortal Coil and being a guest on several 4AD recordings. […]
Date: November 7, 2022
Pamela Uschuk is a poet, political activist, and wilderness advocate. She is also a cancer survivor, and in this week’s segment of KNAU’s series PoetrySnaps!, she shares a poem that […]
Date: November 7, 2022
Poet Anna V.Q. Ross knows what to leave unsaid, knows the just enough to send the reader’s blood and mind alight.
Date: November 7, 2022
Allison Joseph, a poet of Caribbean descent, visited Bradley on Nov. 3 in the Wyckoff Room of the Cullom-Davis Library to present a reading of her own poems and her […]
Date: November 2, 2022
All the way from England, my very special guest drummer/ percussionist Peter Ulrich of Dead Can Dance and The Peter Ulrich Collaboration. Peter has written a new book called “Drumming […]
Date: October 27, 2022
Bestselling authors William Bernhardt and Rene Gutteridge discuss the latest news from the book world, offer writing tips, and interview Cai Emmons, author of two new books this month, Livid […]
Date: October 25, 2022
“I Only Cry with Emoticons” by Yuvi Zalkow (2022) Portland writer Yuvi Zalkow captures today’s simultaneously awkward and endearing digital age with “I Only Cry With Emoticons.” The novel’s protagonist […]
Date: October 17, 2022
William Archila’s The Gravedigger’s Archaeology won the Letras Latinas/Red Hen Poetry Prize and his first collection The Art of Exile won an International Latino Book Award. He was featured in Spotlight on Hispanic Writers, […]
Date: October 17, 2022
“The Colonel” is a poem of witness because it focuses on the human rights violations in El Salvador, but most importantly because it has revealed the ways in which a […]
Date: March 16, 2020
Janice Eidus Gives Voice to Adolescent Virgin Vampire The Last Jewish Virgin: A Novel of FateThe Last Jewish Virgin: A Novel of Fate by Janice Eidus My rating: 4 of […]
Date: March 16, 2020
Rebekah Kirkman of City Paper praised Elissa Washuta’s My Body is a Book of Rules. “Though the shifts from one chapter to the next can be awkward and jarring, Washuta […]
Date: March 16, 2020
Thanks to Midwest Book Review for this fantastic praise, saying A HALFMAN DREAMING is “an enticing read that is sure to provoke much to think about… [and] an excellent and fine literary […]
Date: March 16, 2020
The Alarming Beauty of the Sky Leslie Monsour. Red Hen (CDC
Date: March 16, 2020
Strong Verse reviews Ernest Hilbert’s Sixty Sonnets. First let me say that Ernie Hilbert is a sneaky bastard for including the Bauman’s Rare Books Catalogue in the package that delivered his […]
Date: March 16, 2020
Huge thanks to the Seattle Review of Books for this great review on EAT LESS WATER, saying that these “deeply personal stories, told with love and care” “could not have come at […]
Date: March 16, 2020
Elise Paschen’s THE NIGHTLIFE was recently reviewed by the Kenyon Review in their October 2017 microreviews! The lovely Janet McAdams says, “Paschen’s work has always seemed to me infused by […]
Date: March 16, 2020
In a previous post called Blogging and the Memoir Community I promised to review DeWitt Henry’s memoir called Safe Suicide because he was the first published author who found me […]
Date: March 16, 2020
“Residue” leaves its’ readers wondering “whodunit” and what happens next! If you enjoy “humor in absurdity”, look no further
Date: March 6, 2020
Allison Joseph’s, Confessions of Barefaced Woman was reviewed by Robert Sheldon from MockingHeart Review. Allison Joseph?s new collection Confessions of a Barefaced Woman is a forthright and unabashed examination of the speaker?s personal lives. […]