Check out Jan Beatty’s interview with 90.5 WESA!
Date: October 19, 2021
Who, a reader might ask, is Patrice Staiger, whose haunting epigram “This story begins at an impasse, since I am writing to you as someone who was never born?” prefaces […]
Date: October 19, 2021
Who, a reader might ask, is Patrice Staiger, whose haunting epigram “This story begins at an impasse, since I am writing to you as someone who was never born?” prefaces […]
Date: October 19, 2021
It was while my family and I were living in Paris in the mid-1950s that I decided to become a poet. I wrote my first poem there, moved by the […]
Date: October 19, 2021
Date: October 18, 2021
I met Martha Cooley in 1999 when, as a then-visiting writer in the Bennington MFA program, she gave a series of lectures, one of which covered Milan Kundera. Martha joined […]
Date: October 14, 2021
As one expects from stories published by Red Hen Press’s Kate Gale, monadnock of the LA literary publishing scene for {undisclosed} years now, there is a weird and unsettling tension […]
Date: October 11, 2021
In Oregon author Cai Emmons’ 2018 novel, Weather Woman, an atmospheric scientist discovers that she is capable of controlling the elements she’s long studied: She can shut down a thunderstorm, […]
Date: October 4, 2021
Beth Gilstrap’s second story collection, Deadheading, won the 2019 Red Hen Press Women’s Prose Award and publishes tomorrow. It includes stories Leesa Cross-Smith characterizes as “little gardens—the words blooming, the […]
Date: September 28, 2021
Date: September 28, 2021
Date: September 22, 2021
Two years ago, Eugene Scene published a story about Weather Woman, Eugene author Cai Emmons’ first book to feature a young woman named Bronwyn Artair, who discovers that by using […]
Date: March 16, 2020
Timothy Lindner of The Literary Review gave a great review for Gary Dop’s Father, Child, Water! Lindner spotlights and relates to how Dop focuses on paternal relationships and their ability to shape our […]
Date: March 16, 2020
Scott Hightower reviews Cynthia Hogue’s Or Consequence in the arts review, Fogged Clarity (April 2011). According to Hightower, Hogue is “a poet of extreme precision and no histrionics.”
Date: March 16, 2020
John Cotter A Gringo Like Me by Jennifer L. Knox Soft Skull Press, 2005, 95p, $13.95 Lamp of the Body by Maggie Smith Red Hen Press, 2005, 69p, $12.95 Some Mountains Removed by […]
Date: March 16, 2020
Kristofer Collins, from Pittsburgh Magazine, calls Gainey’s the Gaffer a “treasure trove of backstage stories” refering to her 35 years as chief lighting technician in Hollywood. Collins had this to say: “Gaineys work […]
Date: March 16, 2020
What to Eat, What to Drink, What to Leave for Poison by Camille T. Dungy. Red Hen Press, 88 pp., $15.95 (paper). Dungy’s powerful first collection recognizes language–“A stranger’s voice echoing […]
Date: March 16, 2020
Hector Tobar from the LA Times applauds Eloise Klein Healy’s treatment of the city of Los Angeles, and comments on “what an inspired choice she was” for the first poet […]
Date: March 16, 2020
The Rumpus conducted a stunning review of Lena Khalaf Tuffaha’s WATER & SALT, her debut collection of moving and powerful poetry. “Tuffaha harnesses the legerdemain of lyric to link love […]
Date: March 16, 2020
Philip Gross, winner of the 2009 T.S. Eliot Prize, reviewed Andrea Scarpino’s Once, Then for the UK journal, The North. Gross discusses the poetry saying that “the subject sounds depressing, the effect […]
Date: March 16, 2020
Reading the poet Jeannine Savard’s latest collection My Hand upon Your Name (Red Hen Press, $12.95) is like entering a dream world. The poems are full of fantastical images, strange […]
Date: March 16, 2020
The December 2013 issue of O, The Oprah Magazine calls the poems in Slice of Moon, “unexpected and sublime.” Find a copy to see Kim’s new collection featured in the “Put It In […]