Date: March 1, 2022
THIS IS THE 56th in a series of dialogues with artists, writers, and critical thinkers on the question of violence. This conversation is with Carol Becker, professor of arts and dean […]
Date: February 24, 2022
My first memory of kindergarten is when I’d made an airplane by crossing two thin cylinders of modeling clay. As I “flew” my plane around the room, a bigger boy with a […]
Date: February 22, 2022
Date: February 15, 2022
Eleanor Wilner, recipient of the 2019 Frost Medal for distinguished lifetime achievement from the Poetry Society of America, published her first book of poetry when she was forty-two. She has […]
Date: February 15, 2022
In a digital age, classic romantic gestures can go a long way, especially during the month of love. Two University of New Mexico creative writing professors sat down with the Daily […]
Date: February 10, 2022
In Andrew Lam’s “Birds of Paradise Lost” and Viet Thanh Nguyen’s “The Immolation,” the act of self-immolation is perceived differently by members of the first-generation and second-generation Vietnamese Americans. In […]
Date: February 3, 2022
This episode of Speakers Forum centers around three very different experiences of childhood sexual abuse. However, all three guests consider the responsibility of caregivers to prevent abuse and the difficulty […]
Date: February 1, 2022
Memory is fickle, quixotic and slippery as an eel. It latches itself onto strong emotions like fear, anger, or surprise and it won’t let go. Up until adolescence, children often […]
Date: February 1, 2022
This episode of This Podcast Will Change Your Life stars the Beth Gilstrap (Deadheading & Other Stories, I Am Barbarella: Stories). It was recorded over the Zoom between the This Podcast Will Change Your […]
Date: January 30, 2022
Thanks to The Writer’s Almanac for featuring Kim Stafford’s poem “What For?” from his latest collection SINGER COME FROM AFAR on January 30, 2022!
Date: July 11, 2013
Eric Nguyen applauds Birds of Paradise Lost, calling it short stories of "second chances."- “What is refreshing about Lam’s work is that it defies expectations of ‘immigrant story’…. Lam’s stories […]
Date: July 11, 2013
storySouth applauds Brendan Constantine's poetry in Calamity Joe.- “While the narratives of loss help hold this work together, it’s Constantine’s lyrical touch that keeps the poems engaging…their inventiveness is refreshing […]
Date: July 11, 2013
Lillian-Yvonne Bertram receives a great review from Rain Taxi.- Lillian-Yvonne Bertram's But a Storm is Blowing from Paradise locates the human in a large context, vacillating between the cosmic and […]
Date: July 2, 2013
Lillian-Yvonne Bertram’s But a Storm is Blowing From Paradise receives an excellent review from Late Night Library.- "Bertram is beyond fearless in her refusal to make reading simple…[her] work can […]
Date: June 26, 2013
Publishers Weekly praises the "close attention to the texture and sound of language" in the poems found in Tess Taylor's The Forage House.– "The confessional and historical poems in Taylor’s […]
Date: June 25, 2013
Hoffert of Library Journal applauds Ron Koertge's The Ogre's Wife– “A pleasure for any reader; in this collection, ‘the straw of the day, bushel after bushel of it, slowly/ turns […]
Date: June 21, 2013
James A. Cox from Midwest Book Review recommends The Earth Is Not Flat by Katharine Coles to readers of poetry.- "With humor and insight, The Earth Is Not Flat is […]
Date: June 21, 2013
Douglas Lord from Library Journal adds John Van Kirk's Song for Chance to his BEA "Books for Dudes" list.- "Debut novelist Van Kirk delivers the highly authentic story of melancholy, […]
Date: June 14, 2013
Doris Lynch discusses her take on Tess Taylor's The Forage House. “This first collection reveals a poet with a fully formed voice and involving subject matter…the genealogy she presents provides […]
Date: June 13, 2013
Linda Rodriguez Writes applauds Vera's new work, Speaking Wiri Wiri: “Full of longing and bittersweet humor, these poems are lyrical, narrative, poignant, and always powerful…Vera has given us a true […]
