Kim Stafford’s “What For?” featured in The Writer’s Almanac!
Date: January 30, 2022
Thanks to The Writer’s Almanac for featuring Kim Stafford’s poem “What For?” from his latest collection SINGER COME FROM AFAR on January 30, 2022!
Date: January 30, 2022
Thanks to The Writer’s Almanac for featuring Kim Stafford’s poem “What For?” from his latest collection SINGER COME FROM AFAR on January 30, 2022!
Date: January 25, 2022
Surely one of the most vivid and memorable metaphors in psychology is Carl Jung’s shadow. Similar in many ways to Freud’s “Id,” the term shadow helps us to visualize the way in which troublesome […]
Date: January 19, 2022
Date: January 19, 2022
Date: January 18, 2022
Ursula K. Le Guin once wrote “Science fiction is not predictive; it is descriptive,” and back in 2016, when Lily Brooks-Dalton’s post-apocalyptic novel Good Morning, Midnight (Penguin Random House) was […]
Date: January 18, 2022
Date: January 11, 2022
Jim Peterson takes readers on a surreal journey in his short story collection The Sadness of Whirlwinds. In this first episode of the 2022 season of The Fall for the […]
Date: January 5, 2022
There’s a ancient saying that money is not so much the problem; it’s the love of money that causes the trouble. There’s another truth about the topic: It’s really hard […]
Date: January 5, 2022
This conversation is wide ranging, touching on health and the internal experiences of having a body, as well as the external forces and cruelty that can impact the body. Our […]
Date: January 4, 2022
MY FATHER’S PAINT BOX was made of leather-covered wood, worn at the corners so the wood showed through. As a child, I loved opening that box, looking at the inner […]
Date: March 16, 2020
Timothy Lindner of The Literary Review gave a great review for Gary Dop’s Father, Child, Water! Lindner spotlights and relates to how Dop focuses on paternal relationships and their ability to shape our […]
Date: March 16, 2020
Scott Hightower reviews Cynthia Hogue’s Or Consequence in the arts review, Fogged Clarity (April 2011). According to Hightower, Hogue is “a poet of extreme precision and no histrionics.”
Date: March 16, 2020
John Cotter A Gringo Like Me by Jennifer L. Knox Soft Skull Press, 2005, 95p, $13.95 Lamp of the Body by Maggie Smith Red Hen Press, 2005, 69p, $12.95 Some Mountains Removed by […]
Date: March 16, 2020
Kristofer Collins, from Pittsburgh Magazine, calls Gainey’s the Gaffer a “treasure trove of backstage stories” refering to her 35 years as chief lighting technician in Hollywood. Collins had this to say: “Gaineys work […]
Date: March 16, 2020
What to Eat, What to Drink, What to Leave for Poison by Camille T. Dungy. Red Hen Press, 88 pp., $15.95 (paper). Dungy’s powerful first collection recognizes language–“A stranger’s voice echoing […]
Date: March 16, 2020
Hector Tobar from the LA Times applauds Eloise Klein Healy’s treatment of the city of Los Angeles, and comments on “what an inspired choice she was” for the first poet […]
Date: March 16, 2020
Reading the poet Jeannine Savard’s latest collection My Hand upon Your Name (Red Hen Press, $12.95) is like entering a dream world. The poems are full of fantastical images, strange […]
Date: March 16, 2020
The Rumpus conducted a stunning review of Lena Khalaf Tuffaha’s WATER & SALT, her debut collection of moving and powerful poetry. “Tuffaha harnesses the legerdemain of lyric to link love […]
Date: March 16, 2020
Philip Gross, winner of the 2009 T.S. Eliot Prize, reviewed Andrea Scarpino’s Once, Then for the UK journal, The North. Gross discusses the poetry saying that “the subject sounds depressing, the effect […]
Date: March 16, 2020
The December 2013 issue of O, The Oprah Magazine calls the poems in Slice of Moon, “unexpected and sublime.” Find a copy to see Kim’s new collection featured in the “Put It In […]