Chapter 16 features a poem from Gaylord Brewer’s collection WORSHIP THE PIG!
Date: December 14, 2020
To read “Caretaker” from Brewer’s collection visit the link below!
Date: December 14, 2020
To read “Caretaker” from Brewer’s collection visit the link below!
Date: December 14, 2020
A post-confessional collection by Francisco Aragón, After Rubén probes personal history, political identity, and place. Imitation is the highest form of flattery, and Aragón’s collection in response to Rubén Darío’s work shows his […]
Date: December 10, 2020
Welcome to our latest round-up of contributor books, featuring books published in the last half of 2020. (You can catch our round-up for the first half of 2020 here.) Below, you will […]
Date: December 9, 2020
Katharine Coles, former Utah Poet Laureate and current Distinguished Professor in the Creative Writing Program at the University of Utah, joins us today for Access Utah to talk about her […]
Date: December 9, 2020
Jennifer Risher, author of WE NEED TO TALK: A MEMOIR ABOUT WEALTH and her husband David Risher join Zibby Owens for a podcast. Listen on Youtube, iTunes or read the […]
Date: December 9, 2020
Benjamin Aleshire sits down with Didi Jackson in a conversation about her collection MOON JAR. Read the full interview here!
Date: December 7, 2020
Photographer Matt Witt has a large list of media you may have missed. Donna Hemans’ Tea by the Sea and Tracy Daughtery’s High Skies have been featured in the list. […]
Date: December 7, 2020
In this urgent outpouring of American voices, our poets speak to us as they shelter in place, addressing our collective fear, grief, and hope from eloquent and diverse individual perspectives. […]
Date: December 7, 2020
Thank you all for voting! Congratulations to Lara Ehrlich (author), Caitlin Sacks (designer of ANIMAL WIFE) and everyone else at Red Hen. Here is a brief snippet of the article […]
Date: December 7, 2020
Marion Roach Smith sits down with Jennifer Risher, author of WE NEED TO TALK: A MEMOIR ABOUT WEALTH for a questions and answers podcast/interview. This topic includes writing on the […]
Date: October 3, 2011
In August 2011 The Midwest Book Review's Wisconsin Bookwatch wrote about John Barr's book of poems. "The Hundred Fathom Curve is John Barr's exploration of Americana from the perspectives of […]
Date: October 3, 2011
Poet Sasha West examines the language of Amy Randolph in Randolph's book Cold Angel of Mercy. "Randolph's crisp, searing voice is evident in her facility with image." —Sasha West
Date: October 3, 2011
In the sixty-fourth volume of The Hudson Review, Peter Makuck praises William Trowbridge's book, Ship of Fool. "William Trowbridge's Ship of Fool had me laughing out loud . . . […]
Date: September 30, 2011
“My favorite poems here include the title poem about a talisman stone that emblemizes the omnipresence of past time, ‘Something Old,’ ‘Someone’s Father,’ the bitterly ironic ‘Fish to Fry,’ ‘Trucks […]
Date: August 2, 2011
At first glance Jim Tilleys In Confidence seems to consist of calm, graceful poems of upper middle class domesticity, but turkey vultures wait in the yard and many stories have […]
Date: August 2, 2011
"Driven and powerful writing in play format, Among the Goddesses is an excellent read and a first pick for literary fiction and poetry collections." The full review can be seen
Date: August 1, 2011
Among the Goddesses is a bold experiment. Magical, mystical, musical, it charts a woman's journey that reverses the journey of Odysseus. What is it to be aided by goddesses, if […]
Date: August 1, 2011
In yet another variation of a vampire love story, Eidus (The War of the Rosens) introduces Lilith Zeremba, a college freshman who has declared herself, over and over, to be […]
Date: July 31, 2011
Fiction is subject to viruses, and the vampire bug strikes the unlikeliest writers. Witty and incisive Eidus (The War of the Rosens, 2007) has always drawn our attention to the […]
Date: July 31, 2011
In Jim Tilley's In Confidence, we see the internal and external workings of the world through a mature poets multifaceted lens. Crafting his poems with formal care, Tilley always aims […]