The Yale Review features “Song with Day Glo & Jello”
Date: June 2, 2020
Hulky & afloat on seas of parkingthe old Plaza dated from the fifties— sold Day Glo Ice & jelly […]
Date: June 2, 2020
Hulky & afloat on seas of parkingthe old Plaza dated from the fifties— sold Day Glo Ice & jelly […]
Date: June 2, 2020
Library Journal features Tess Taylor’s Rift Zone and Felicia Zamora’s Body of Render.
Date: June 2, 2020
Shortly before the state of California ordered its citizens to retreat indoors, I met up with poet Tess Taylor for a hike on a steep hill near her home. It was one […]
Date: June 2, 2020
EL CERRITO — Local poet Tess Taylor has recently released her fourth book, had one of its poems published in the New York Times and wrote an opinion piece for […]
Date: June 2, 2020
In a series, various writers share what have they been reading while sheltering in place. Today, NPR poetry reviewer Tess Taylor lists what is helping her to get through.
Date: June 2, 2020
Poem: I Gave My Love a Story Selected by Naomi Shihab Nye
Date: June 2, 2020
Here is the strange thing: I was already writing poems about the precariousness of California. I’d been writing them for ten years, since I moved back from New York and came […]
Date: June 1, 2020
NYU’s The Latinx Project features two Red Hen titles: After Rubén by Francisco Aragón and Body of Render by Felicia Zamora!
Date: May 29, 2020
Tess Taylor’s poetry is a literary collage: an assemblage of the poet’s words and the ontology of California itself. In two collections out this year, Rift Zone and Last West: Roadsongs for Dorothea […]
Date: May 29, 2020
Still, digital events aren’t for everyone. Poet Tess Taylor is publishing two collections this spring, Last West: Roadsongs for Dorothea Lange, commissioned by New York’s Museum of Modern Art, and Rift Zone, […]
Date: March 16, 2020
Amplified Dog Charles Harper Webb. Red Hen (CDC, dist.), $15.95 (96p) ISBN 978-1-59709-022-3 In the title poem of Charles Harper Webb’s sixth book of poems, Amplified Dog, a dog barking […]
Date: March 16, 2020
The sonnet is an enduring lyric monument, one of the few postclassical forms that refuses to die. Almost every major poet writing in a Western language has attempted to stand […]
Date: March 16, 2020
“The poem mingles aural and visual music: The caesurae [unable to be reproduced here] audibly create rhythm, while visually recalling the fragments of the fractal that are repeatedly broken down […]
Date: March 16, 2020
To read Lyn Lifshin’s, Persephone, is to be energized by a flow of poems which catapult through the book’s 181 pages. Prophetically, none of her poems ends with a period […]
Date: March 16, 2020
Shanan Ballam, writing for New Letters Magazine, gives high praise to William Trowbridge’s Put This On Please. “Trowbridge’s technical and emotional gifts create a bond of trust with readers, making us want […]
Date: March 16, 2020
In the lead-up to the 2011 Tucson Book Festival, Jarret Keene published this review of Cynthia Hogue’s Or Consequence–in the Tucson Weekly (10 March 2011).
Date: March 16, 2020
Sixty Sonnets, Reviewed by Maryann Corbett One look at the cover of Sixty Sonnets lets you know you’re dealing with a poet who’s got both slyness and chutzpah—at least if poet Ernest […]
Date: March 16, 2020
Huge thanks to Publisher’s Weekly for the review on BAD STORIES, which they call “A worthwhile foray into understanding and responding to the Trump era.”
Date: March 16, 2020
Westechester Magazine writes about Jim Tilley, dubbed “The Poet of Wall Street,” and his new book of poetry, In Confidence, published by Red Hen Press.
Date: March 16, 2020
Thanks to Anna Call from Foreword for the great review of Florencia Ramirez’s EAT LESS WATER, calling it “a charming work that gets its point across beautifully.”