Versifying | Collection Development: Poetry
Date: June 2, 2020
Library Journal features Tess Taylor’s Rift Zone and Felicia Zamora’s Body of Render.
Date: June 2, 2020
Library Journal features Tess Taylor’s Rift Zone and Felicia Zamora’s Body of Render.
Date: June 2, 2020
Shortly before the state of California ordered its citizens to retreat indoors, I met up with poet Tess Taylor for a hike on a steep hill near her home. It was one […]
Date: June 2, 2020
EL CERRITO — Local poet Tess Taylor has recently released her fourth book, had one of its poems published in the New York Times and wrote an opinion piece for […]
Date: June 2, 2020
In a series, various writers share what have they been reading while sheltering in place. Today, NPR poetry reviewer Tess Taylor lists what is helping her to get through.
Date: June 2, 2020
Poem: I Gave My Love a Story Selected by Naomi Shihab Nye
Date: June 2, 2020
Here is the strange thing: I was already writing poems about the precariousness of California. I’d been writing them for ten years, since I moved back from New York and came […]
Date: June 1, 2020
NYU’s The Latinx Project features two Red Hen titles: After Rubén by Francisco Aragón and Body of Render by Felicia Zamora!
Date: May 29, 2020
Tess Taylor’s poetry is a literary collage: an assemblage of the poet’s words and the ontology of California itself. In two collections out this year, Rift Zone and Last West: Roadsongs for Dorothea […]
Date: May 29, 2020
Still, digital events aren’t for everyone. Poet Tess Taylor is publishing two collections this spring, Last West: Roadsongs for Dorothea Lange, commissioned by New York’s Museum of Modern Art, and Rift Zone, […]
Date: May 29, 2020
The Millions Nick Ripatrazone lists Tess Taylor’s Rift Zone: California: pastoral, urban, suburban—home to myth and magic. Taylor’s book is geologic in concept and theme, both panoramic and particular (her […]
Date: February 27, 2012
Lee Polevoi of the Los Angeles Review of Books says that, "Bin Laden's Bald Spot encompasses worlds of absurdity and quotidian reality in the voices of ordinary citizens. Underneath the […]
Date: February 16, 2012
In the Connecticut River Review, Emilia Phillips says that "Brewer's intentions in Give Over, Graymalkin waver between reverence and ravaging, and the tension between the two creates an energy that […]
Date: February 16, 2012
In the Asheville Poetry Review, Patrick Bizzaro had this to say about Gaylord Brewer's Give Over, Graymalkin- "As poetry, Brewer's work avoids sentimentality and instead reveals the inner workings of […]
Date: February 13, 2012
Recently, James A. Cox of The Midwest Book Review had this to say about Genevieve Kaplan – "In the ice house is a core addition to any modern poetry collection." […]
Date: February 9, 2012
D.K. Row notes that “‘Bin Laden’s Bald Spot,’ illustrates how avidly Doyle likes to experiment with narrative structure; draw tersely spoken characters; riff using folksy humor but also with 19th-century […]
Date: January 31, 2012
The editor's at The Midwest Book Review had this to say about Robert Sward's poetry collection: “‘New and Selected Poems: 1957-2011’ is a collection of poetry from Robert Sward, looking […]
Date: January 31, 2012
Smartish Pace gives deep insight into Gaylord Brewer and his collection, Give Over, Graymalkin: “Brewer is a deeply personal poet, and in many ways is his own best subject. He […]
Date: January 31, 2012
The editors of Notre Dame Review acknowledge: Contributor Gaylord Brewers new book [consists] mainly [of] poems written far away from his home in Tennesseein India during a residency at the […]
Date: January 31, 2012
Robin Linn for Sugar House Review had this to say about Give Over, Graymalkin: Brewers collection engages with adventuresome verse that is lyrical, rhythmic and lush with allusion. Sugar House […]
Date: January 31, 2012
Notre Dame Magazine spotlights Bin Laden's Bald Spot, saying: In [Brian Doyles] collection of 25 stories, readers will meet a barber who shaves the heads of thugs in Bin Ladens […]