News:

Luke Goebel’s KILL DICK listed in the New York Post!

Date: February 24, 2026

This satirical literary thriller has shades of Joan Didion and Bret Easton Ellis. A 19-year-old NYU dropout returns home to Brentwood to laze about and enjoy popping prescription pills. But […]

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Reviews:

Fred Gardaphe, rave, FRA NOI

Date: March 16, 2020

Fred Gardaphe, in the October, 2008, FRA NOI (48/10), raves about Earthquake I.D.: “A well focused plot tightly wound… Enough mystery to keep the pages turning while telling a contemporary story that can […]

Publishers Weekly, September 22, 2008

Date: March 16, 2020

Realistic absurdity ties together the short stories of Sanders’s intelligent and funny collection. Throughout, unsuspecting protagonists become entangled in bizarre (and yet vaguely believable) situations. There’s Nadya, the Moscow-based freelance […]

Peggy Shumaker reviews Allegheny, Monangahela

Date: March 16, 2020

Allegheny, Monongahela Erinn Batykefer. Red Hen (CDC, dist.), $16.95 (88p) ISBN 978-1-59709-134-3 Close to the bone, Erinn Batykefer’s poems — sharp-edged as O’Keeffe’s paintings, skeletons visible and harrowing — are […]

The New York Resident reviews Archeology of Desire

Date: March 16, 2020

Archeology of Desire Miriam Sagan. Red Hen (CDC, dist.), $8.95 (56p) ISBN 1-888996-32-3 Newly published poetry, which is the focus of this week’s column, rarely receives the level of attention […]

Ysabel de la Rosa reviews Alphabet of Love

Date: March 16, 2020

Alphabet of Love Bart Edelman. Red Hen (CDC, dist.), $9.95 (72p) ISBN 1-888996-09-9 For some months, I have been intending to post a brief review of poet Bart Edelman’s book, […]

52 Men” is a hit with book bloggers!”

Date: March 16, 2020

Lizzy Baldwin, creator of My Little Book Blog, praises Louise Wareham Leonard’s writing style, calling it “beautiful and languid.” Baldwin loved how 52 Men was able to give so much story in […]

Chad Parmenter, The Missouri Review

Date: March 16, 2020

“Frankness and love are brought together with Brown’s brilliant combination of the sacred and vernacular. . . . Brown alternates the poems’ shapes on the page, giving us the sense […]

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