News:

Karen Gettert Shoemaker is big in Omaha!

Date: March 16, 2020

Recently, The Omaha Public Library chose Karen Gettert Shoemaker’s new novel, The Meaning of Names, as its 2014 Omaha Reads Selection. To complement this, the library interviewed Karen on everything from […]

Alphabet Conspiracy featured on The Rumpus

Date: March 16, 2020

Rita Mae Reese’s new book, The Alphabet Conspiracy, was reviewed on The Rumpus: “But at their best, they speak in deceptively straightforward, accessible language, without aiming to impart lessons to the […]

Red Hen on the Radio: A Double Feature

Date: March 16, 2020

Red Hen writers are taking over the airwaves. Check out Camille Dungy talking about Suck on the Marrow and What to Eat, What to Drink, What to Leave for Poison with Word Ballast’s Billy […]

National Short Story Month: The Discount

Date: March 16, 2020

National Poetry Month has come and gone, as it does every year. It’s a fairly new phenomenon, the National [Art Form] Month; National Poetry Month only dates from the mid […]

John Domini Reviews

Date: March 16, 2020

John Domini, a Red Hen Press author, publishes many book reviews. One published review, found in Bookforum, has been selected by the National Book Critics Circle as a feature for their blog and […]

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Reviews:

Publishers Weekly reviews Amber Flame’s APOCRIFA!

Date: March 21, 2023

The expansive and formally inventive second collection from Flame (Ordinary Cruelty) considers the cornerstones of romance—doubt, surrender, grief, resolution—through poems about hunger, exploration, and forbidden fruit.

Eamon Grennan’s PLAINCHANT reviewed in Good River Review!

Date: January 24, 2023

In his gripping new poetry collection Plainchant, Eamon Grennan weaves a revelatory narrative, rich with precise detail, layered symbolism, and evocative imagery. Plainchant is a powerful compilation of personal reflections. […]

Dennis Must’s MacLeish Sq. reviewed by Dactyl Review!

Date: January 24, 2023

Edward Said, writing about Beethoven’s late style, defined late style as that time wherein the artist freed from the expected cultural and historical restraints of form and content unleashes a […]

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