Date: June 3, 2020
In the bedroom of Harlem Renaissance poet Anne Spencer, there’s a mural depicting a well-dressed crowd at a cocktail party pasted to the wall. Spencer’s granddaughter, Shaun Spencer-Hester, points to […]
Date: June 3, 2020
Family relations can be fraught in the best of times, even when people care deeply for one another. So what happens when you throw those family members into a situation […]
Date: June 3, 2020
It’s Detroit, 1968. Sisters Rosa and Esther march against the war in Vietnam with their best friend, Maggie. As they reached the rally site, double rows of blank-faced National Guard […]
Date: June 3, 2020
On this episode of Rekindled, Andrew Altschul is in conversation with Ellen Meeropol. Andrew Altschul’s third novel, The Gringa, was published the day before the World Health Organization declared the coronavirus crisis […]
Date: June 3, 2020
Kathryn interviews Creative Writing and Literature teacher at Antioch University, Los Angeles Deborah Lott, author of “Don’t Go Crazy Without Me.” More than just the tragicomic coming-of-age story of a […]
Date: June 3, 2020
The meaning of the intriguing title of Lott’s courageous and endearing memoir snaps into sharp focus. “My father and I were not ordinary,” she writes. “Oh no, we had formed […]
Date: June 3, 2020
This spring the formidable Deborah A. Lott—author, editor and college instructor—will be visiting the Unlocking Your Story workshop. She’ll be offering us an inside view of the creative process behind writing […]
Date: June 3, 2020
It’s hard not to read every throat tickle and stuffy nose as a possible foreshadowing of COVID-19, but a recovering hypochondriac helps to walk us back and separate true symptoms, […]
Date: June 3, 2020
Two weeks ago, when restaurants were still open, I watched a friend at lunch repeatedly spritz his hands with hand sanitizer. It seemed more compulsion than prudent protective measure. If […]
Date: June 3, 2020
Subduction topped the New Release in Hispanic American Literature Amazon Kindle chart, so you know it’s a good read for summer. Kristen Millares Young’s book follows Claudia, a Latina anthropologist who […]
Date: March 3, 2026
Each line is a steady and reassuring four beats in length, filled with words that help move the story along.
Date: February 18, 2026
Full review to come March 1! “The characters’ journeys are candid and vulnerable, rendering a pertinent, rich portrait of displaced lives reshaped by conflict and its enduring consequences.” —Booklist
Date: February 11, 2026
Mysticism and science merge in the story of a Louisiana artist. Pence tells her story in language on the border between poetic and precious.
Date: February 3, 2026
This week’s Thirst Quencher doesn’t tiptoe, it kicks the door in. Kill Dick by Luke Goebel is dark, unsettling, and unexpectedly funny, driven by characters and ideas that refuse to […]
Date: February 3, 2026
Abi Pollokoff’s debut poetry collection night myths • • before the body, released this year from Red Hen Press with much advanced praise, is so deft in execution, so consistent […]
Date: February 3, 2026
The daughter of a pharmaceutical executive gets ensnared in criminal mischief in this ambitious blend of social satire and sunshine noir from Goebel (Fourteen Stories, None of Them Are Yours). […]
Date: January 27, 2026
Helen Benedict’s THE SOLDIER’S HOUSE (2026) completes her Iraq war trilogy, that began with SAND QUEEN (2011) and was followed by WOLF SEASON (2017). But the new book is actually […]
Date: January 27, 2026
“…Shot through with the sort of pseudo-profundity endemic to youthful privilege, Susie’s rambling, terminally jaundiced narrative paints a darkly surreal Lynch- and Kubrick-inspired portrait of LA.”
Date: January 21, 2026
Luke B. Goebel’s winking satirical novel Kill Dick parodies contemporary literary and cultural forms. Set against sun-bleached Los Angeles—a place marked by wealth, addiction, and apathy—the book accumulates exaggerations of […]
Date: January 20, 2026
How does one build an identity? It’s an ongoing venture of discerning and refining, discarding narratives as much as creating them. For a poet, especially one who writes autobiographically, that […]
