Many readers of this review may or may not be aware of the rasa theory, but it is maintained that classic works of literature created within the boundaries of what is today known as South Asia engaged, as the narrative progressed, with the essences of nine moods known as rasas. Reema Rajbanshi’s very well-crafted Sugar, Smoke, Song attempts something similar though, perhaps, in a post-modern or her own way.
Read the full review at The Nonconformist Magazine here!