In his debut novel, Dariel Suarez takes the reader into the heart of Cuba, of Havana, of the people of the island. As a Cuban American, I notice how the people of the island are often erased from the stories set in Cuba, the stories written “about” Cuba. Cubans often suffer from a dehumanizing romanticization if not utter erasure from an imperial gaze that doesn’t know how to fit the people into their view of the island they vacation in or dream about. Yet Suarez is too skilled a writer, knows the people of Cuba too well, and The Playwright’s House has too much heart and power, to do anything other than keep Cubans front and center in this novel.
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