Los Angeles Independent Publishing

Lesbian Books

Red Hen Press, a Los Angeles independent publisher founded by Kate Gale, offers poetry readings, poetry contests, book awards, and more.


Latest News...

Red Hen Press moves to Ingram Publisher Services!

Date: Jul 29th, 2016

We are pleased to announce that effective August 27, 2016, Red Hen Press will begin US and Canadian distribution through Ingram Publisher Services (IPS).

With over twenty years of excellence in literature, community engagement, and a passion for great stories, Kate Gale and Mark E. Cull have grown Red Hen Press into the largest independent nonprofit in Southern California.

Since its founding in 1994, Red Hen Press has increased its influence to an international level, working with Central Books in London and building its publication list to over 400 titles with a production rate of more than 20 books per year. In order to match our increased production output with the needs of our readers, Red Hen Press has created a hunger for more strategic, global book distribution.

Through a partnership with IPS, Red Hen Press aims to grow exponentially in its outreach to new and diverse communities of readers that love our books as much as we do.

Stay tuned for more information on Red Hen?s transition to Ingram Distribution Services, and great upcoming releases this fall 2016!


Please note that Red Hen books are now available for ordering through IPS:

Phone: (800)252-7012

Email: ips@ingramcontent.com


For more information, contact Alisa Trager at marketing@redhen.org.

Latest Blog Post...

LA Fiction Anthology Interview: Clint Margrave

An Interview With Clint Margrave



What role does Los Angeles play in your fiction?

If am I to believe that my environment affects every thought, every experience, and every moment of inspiration, which I do, then I’d have to say Los Angeles plays a tremendous role in all my writing. Having been born and raised in the greater L.A. area, that role is mostly unconscious, whether the source of inspiration comes from my own friends and colleagues or the people I share lines with at the grocery store or DMV or post office, or if it comes from the hours I spend sitting in traffic dreaming up stories or poems, or the 70-degrees-and blue-skies-all-the-time weather. I once had a publisher tell me that the sun appears in a lot of my stuff. This is something completely unconscious and obviously a result of my environment. I suppose if I lived somewhere else, it might be rain or snow. But I write about snow as much as I set foot in it, which is never. And I can only dream of rain.

To what degree do you think place shapes fiction in general?

Place shapes fiction mostly on an unconscious level for me and I would imagine for many other writers. I never sit down and say, “I shall write about L.A. today.” When I travel, sometimes I think this way, but I need more than just place. I need the people that inform the place. Though our basic humanness may be the same, the type of people you meet can differ depending on place. These are the people who can inform and inspire your characters. The apartments or houses we live in, whether we drive to work or take a subway, the smells, the weather, the type of work people do, even the food can inform a story. A character may differ in his thoughts, attitudes, actions, feelings, depending on where he eats his lunch. If he gets his lunch from a local taqueria as opposed to a diner, or if he cooks it himself from fresh eggs on his own isolated farm, or runs through a Del Taco drive thru and eats it in traffic on the 405. All of this matters to a story.

 Do you see your work as coming out of any traditions of LA fiction or poetry?

LA fiction and LA poetry have been a huge influence on me. As a young man, I learned humor, clarity, and the beauty of simplicity from writers like John Fante and Charles Bukowski. LA writing in general has always been about clear, simple prose, even if you think back to the detective novels of Raymond Chandler. Though I was never as taken by Chandler as many people I know, I was indirectly influenced, oddly enough, via a writer like Albert Camus, who was an early champion of him.

 How does being a writer affect your work as a teacher and how does your work as a teacher affect your writing?

In all honesty, teaching gets in the way of writing and writing gets in the way of teaching. I love to be in the classroom inspiring students, but the way the current adjunct system is set up, I have to teach an absurd amount of classes just to make a decent full-time salary, and unfortunately spend more time on the freeway driving in between schools than I get to be in the classroom. I don’t recommend it for other writers. The job takes up the same side of your brain. MFA culture has turned a bunch of aspiring writers into composition teachers. I’m not sure how good this is for the future of writing. We still need writers out there doing other things, sailing on ships or driving ambulances or delivering mail or working in an office or factory. Also, I think academia can be a destructive force for a writer. When writers’ work is too connected to their resume, they tend not to write as truthfully. And a lot of writers these days are writing stories for tenure review and not because they have to say something.

 What is your current project?

I just finished a novel and am looking for an agent with the hope of publishing it. A new book of poems has just been released by NYQ Books called Salute the Wreckage. Other than that, just writing more short stories and poems.

Clint Margrave is the author of Salute the Wreckage (2016) and The Early Death of Men (2012), both published by NYQ Books. His stories and poems have also appeared in The New York Quarterly, Rattle, Cimarron Review, Word Riot, 3AM, Bartleby Snopes, Ambit (UK), as well as in LA Fiction Anthology: Southland Stories by Southland Writers by Red Hen Press. He lives in Los Angeles, CA. For more information: www.clintmargrave.com