Date: June 4, 2020
Poet Tess Taylor questioned what it means to be creative, when every day feels like a radical reinvention of life. “These days, helping myself and my family steer a way around sadness, […]
Date: June 4, 2020
LINCOLN, Neb. — My mother was born into a flu-stricken household at the height of the pandemic of 1918. Within minutes she was swaddled in a homemade quilt and placed […]
Date: June 4, 2020
1985 Long and black, the streaksof gray, aflutter in the lightwind as she prepares to tell her story at the Federal Building:reaching into a tattered sackshe pulls out a doll […]
Date: June 4, 2020
The Skin of Meaning He was late to the party and without directions,though his invitation was secure, and his instinctskeenly honed to an acceptable edge, and as we arewaiting to […]
Date: June 4, 2020
Ascension Didi Jackson The blue jays lay claimto the raspberry busharriving in groups of four or five:one holds a rubied berry in its beakand feeds it up in the white […]
Date: June 4, 2020
after Käthe Kollwitz I heard they no longer sew eyelids of the dead shut.At the morgue, I busied myself countingthe lacerations on my husband’s neck and wrists.I wore sunglasses and […]
Date: June 4, 2020
Major Jackson: I’m fluctuating between abject fear and inexplicable optimism. Mitch Wertlieb: That’s poet Major Jackson, who lives in South Burlington. And you may have heard a bit of laughter […]
Date: June 4, 2020
https://www.maryodden.com/neighborsblog
Date: June 3, 2020
My new novel Glorious Boy began with a dream. On a tropical island during an emergency evacuation, a young girl was hiding in a dense rainforest with a small, mute white boy […]
Date: June 3, 2020
Aimee Liu talks about GLORIOUS BOY, the excruciating process of writing, creating a memorable silent character, her shapeshifter dad, and so much more.
Date: March 16, 2020
Recommended and briefly reviewed by Eduardo C. Corral in Poetry Magazine. The poems in Father, Child, Water by Gary Dop are funny, wicked, and poignant. These three qualities are visible […]
Date: March 16, 2020
Martha K. Davis’ SCISSORS, PAPER, STONE was recently reviewed by Gertrude Press’ Jess Travers. The novel, narrated in alternating chapters by Catherine, her adopted daughter Min, and Min’s best friend […]
Date: March 16, 2020
“With his mastery of language and eye for detail, Doyle’s characters always feel authentic, and their ups and downs are realistically proportioned. His gift for finding the sublime in even […]
Date: March 16, 2020
The Bob and Weave Jim Peterson. Red Hen (CDC, dist.), $16.95 (120p) ISBN 1-888996-65-X Jim Peterson’s poems are filled with the things of this world– its horses, hands, stones, and […]
Date: March 16, 2020
“The Chicago poet has spread the good wordings via book, CD, and subway.”
Date: March 16, 2020
Timothy Lindner of The Literary Review gave a great review for Gary Dop’s Father, Child, Water! Lindner spotlights and relates to how Dop focuses on paternal relationships and their ability to shape our […]
Date: March 16, 2020
Scott Hightower reviews Cynthia Hogue’s Or Consequence in the arts review, Fogged Clarity (April 2011). According to Hightower, Hogue is “a poet of extreme precision and no histrionics.”
Date: March 16, 2020
John Cotter A Gringo Like Me by Jennifer L. Knox Soft Skull Press, 2005, 95p, $13.95 Lamp of the Body by Maggie Smith Red Hen Press, 2005, 69p, $12.95 Some Mountains Removed by […]
Date: March 16, 2020
Kristofer Collins, from Pittsburgh Magazine, calls Gainey’s the Gaffer a “treasure trove of backstage stories” refering to her 35 years as chief lighting technician in Hollywood. Collins had this to say: “Gaineys work […]
Date: March 16, 2020
What to Eat, What to Drink, What to Leave for Poison by Camille T. Dungy. Red Hen Press, 88 pp., $15.95 (paper). Dungy’s powerful first collection recognizes language–“A stranger’s voice echoing […]
