New York Times featuring Tess Taylor’s poetry!
Date: June 2, 2020
Poem: I Gave My Love a Story Selected by Naomi Shihab Nye
Date: June 2, 2020
Poem: I Gave My Love a Story Selected by Naomi Shihab Nye
Date: June 2, 2020
Here is the strange thing: I was already writing poems about the precariousness of California. I’d been writing them for ten years, since I moved back from New York and came […]
Date: June 1, 2020
NYU’s The Latinx Project features two Red Hen titles: After Rubén by Francisco Aragón and Body of Render by Felicia Zamora!
Date: May 29, 2020
Tess Taylor’s poetry is a literary collage: an assemblage of the poet’s words and the ontology of California itself. In two collections out this year, Rift Zone and Last West: Roadsongs for Dorothea […]
Date: May 29, 2020
Still, digital events aren’t for everyone. Poet Tess Taylor is publishing two collections this spring, Last West: Roadsongs for Dorothea Lange, commissioned by New York’s Museum of Modern Art, and Rift Zone, […]
Date: May 29, 2020
The Millions Nick Ripatrazone lists Tess Taylor’s Rift Zone: California: pastoral, urban, suburban—home to myth and magic. Taylor’s book is geologic in concept and theme, both panoramic and particular (her […]
Date: May 28, 2020
The Feminist Know-It-All: You know her. You can’t stand her. Good thing she’s not here! Instead, this column by gender and women’s studies librarian Karla Strand will amplify stories of the creation, access, use and […]
Date: May 27, 2020
On this episode of Rekindled, Andrew Altschul is in conversation with Ellen Meeropol. Andrew Altschul’s third novel, The Gringa, was published the day before the World Health Organization declared the coronavirus crisis […]
Date: May 27, 2020
“She inspired me as a model of persistence.” So says Tess Taylor, a poet in the Bay Area, who undertook the journey once travelled by Dorothea Lange, the extraordinary woman photographer. […]
Date: March 16, 2020
The December 2013 issue of O, The Oprah Magazine calls the poems in Slice of Moon, “unexpected and sublime.” Find a copy to see Kim’s new collection featured in the “Put It In […]
Date: March 16, 2020
“With his mastery of language and eye for detail, Doyle’s characters always feel authentic, and their ups and downs are realistically proportioned. His gift for finding the sublime in even […]
Date: March 16, 2020
The Bob and Weave Jim Peterson. Red Hen (CDC, dist.), $16.95 (120p) ISBN 1-888996-65-X Jim Peterson’s poems are filled with the things of this world– its horses, hands, stones, and […]
Date: March 16, 2020
Recommended and briefly reviewed by Eduardo C. Corral in Poetry Magazine. The poems in Father, Child, Water by Gary Dop are funny, wicked, and poignant. These three qualities are visible […]
Date: March 16, 2020
Martha K. Davis’ SCISSORS, PAPER, STONE was recently reviewed by Gertrude Press’ Jess Travers. The novel, narrated in alternating chapters by Catherine, her adopted daughter Min, and Min’s best friend […]
Date: March 16, 2020
Timothy Lindner of The Literary Review gave a great review for Gary Dop’s Father, Child, Water! Lindner spotlights and relates to how Dop focuses on paternal relationships and their ability to shape our […]
Date: March 16, 2020
Scott Hightower reviews Cynthia Hogue’s Or Consequence in the arts review, Fogged Clarity (April 2011). According to Hightower, Hogue is “a poet of extreme precision and no histrionics.”
Date: March 16, 2020
“The Chicago poet has spread the good wordings via book, CD, and subway.”
Date: March 16, 2020
John Cotter A Gringo Like Me by Jennifer L. Knox Soft Skull Press, 2005, 95p, $13.95 Lamp of the Body by Maggie Smith Red Hen Press, 2005, 69p, $12.95 Some Mountains Removed by […]
Date: March 16, 2020
Kristofer Collins, from Pittsburgh Magazine, calls Gainey’s the Gaffer a “treasure trove of backstage stories” refering to her 35 years as chief lighting technician in Hollywood. Collins had this to say: “Gaineys work […]
Date: March 16, 2020
What to Eat, What to Drink, What to Leave for Poison by Camille T. Dungy. Red Hen Press, 88 pp., $15.95 (paper). Dungy’s powerful first collection recognizes language–“A stranger’s voice echoing […]