News:

Tess Taylor’s Incredible Family Journey

Date: March 16, 2020

Tess Taylor has had an amazing journey of discovery these past few months. Her debut poetry collection, The Forage House, chronicles the exploration of her familial lineage and ties to Thomas […]

Kate Gale and Kim Dower on KUCI

Date: March 16, 2020

Kate Gale, our managing editor, and Kim Dower, author of the wonderful new collection AIR KISSING ON MARS, were interviewed this morning on KUCI for the segment “Writers on Writing […]

Suck on the Marrow wins an American Book Award!

Date: March 16, 2020

Camille Dungy’s Suck on the Marrow has won an American Book Award from the Before Columbus Foundation! For those of you keeping score at home, that’s the sixth significant honor this book […]

Ron Koertge Writes for Huffington Post!

Date: March 16, 2020

Author Ron Koertge wrote a post for Huffington Post about why he loves to write flash fiction: “Flash fiction doesn’t mind giving pleasure. It has a palpable level of affection for its […]

Amy Schutzer Opens Up to Shelf Unbound

Date: March 16, 2020

Amy Schutzer gave an interview to Shelf Unbound and talked about her creative writing process and influences for her new book, Spheres of Disturbance. “When I begin a novel, it is […]

House Arrest excerpt posted on Shaking Like a Mountain

Date: March 16, 2020

If you have ever wanted to get a taste of Ellen Meeropol’s writing, here is a great opportunity. Shakinglikeamountain.com has posted an enticing excerpt from Ellen’s Spring 2011 title House Arrest. […]

The New Criterion reviews News from the Village

Date: March 16, 2020

The New Criterion has a nice review up of David Mason’s lyrical memoir, News from the Village: Aegean Friends. Here’s a taste: “In one of the book’s most eloquent passages, […]

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Reviews:

One Poet’s Notes, Valparaiso Poetry Review

Date: April 18, 2009

http://edwardbyrne.blogspot.com/2007/04/leslie-heywood-proving-grounds.htmlMONDAY, APRIL 2, 2007Leslie Heywood: THE PROVING GROUNDSLeafing through the work in Leslie Heywood's premiere book of poetry, The Proving Grounds, one quickly becomes accustomed to uncovering sometimes uncomfortable and […]

Beth Ann Fennelly, The Southern Register

Date: April 16, 2009

"In the debut collection from Kentucky poet Nickole Brown, readers experience the pleasures of poetry "the illuminated moment reverberating" as well as the pleasures of the novel–the narrative unfurling, driven […]

Cynthia Arrieu-King, Diagram

Date: April 16, 2009

"If you feel that high emotion and unalienated confession is not art, as Slavoj Zizek might assert that it cops to the System where the individual is valued for trying […]

Ely Shipley, Quarterly West

Date: April 16, 2009

"Brown's awareness of the book's form, its how in addition to its what, allows for these poems' rich complexities. The order not only forms a linear narrative, but layers experience. […]

Julie Enszer, Lambda Book Report

Date: April 16, 2009

"The strength of Sister is in the details, some of which are constructed through Brown's diction, which is gently infused with a southern dialect but resists caricature. She writes of […]

Melanie Jordan, Southern Indiana Review

Date: April 16, 2009

"To write of one's own conception, gestation, birth"to write convincingly of unknowable-yet-familiar moments: that is the power of poetry and the power of Nickole Brown's debut, Sister, a self-styled "novel-in-poems.' […]

Cate Marvin, Ploughshares

Date: April 16, 2009

"Using umbilicus as guide rail, the speaker of Nickole Brown's Sister–an unflinching and deeply intelligent first book–undertakes a hair-lifting expedition back to her childhood so as to return herself to […]

Erica Wright, ForeWord Magazine

Date: April 16, 2009

"It would be easy to say that this collection is an indictment, but there is nothing easy about these poems. They are each skillfully wrought pieces about impossible subjects. . […]

Publishers Weekly, August 2007

Date: April 16, 2009

"Brown's forthright debut opens with an intimate address to a sister: "I tell you this story because it is / the story we need / to believe our offal is […]

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