Date: March 16, 2020
First the Economist, then the Wall Street Journal, and then the world! Summer Brenner’s wonderful short story collection, My Life in Clothes, has been featured in the Wall Street Journal‘s holiday gift […]
Date: March 16, 2020
Yet another great review of Janice Eidus’s The Last Jewish Virgin, this one from New Pages. It’s like the book is good or something. An excerpt: “…an entertaining, original, and psychologically […]
Date: March 16, 2020
Tess Taylor has had an amazing journey of discovery these past few months. Her debut poetry collection, The Forage House, chronicles the exploration of her familial lineage and ties to Thomas […]
Date: March 16, 2020
Kate Gale, our managing editor, and Kim Dower, author of the wonderful new collection AIR KISSING ON MARS, were interviewed this morning on KUCI for the segment “Writers on Writing […]
Date: March 16, 2020
Camille Dungy’s Suck on the Marrow has won an American Book Award from the Before Columbus Foundation! For those of you keeping score at home, that’s the sixth significant honor this book […]
Date: March 16, 2020
Author Ron Koertge wrote a post for Huffington Post about why he loves to write flash fiction: “Flash fiction doesn’t mind giving pleasure. It has a palpable level of affection for its […]
Date: March 16, 2020
Jamey Hecht’s new manuscript Fate vs. United States has been declared a finalist in the just-concluded 2009 Marsh Hawk Press Poetry Prize. His 2009 Red Hen Press title, Limousine, Midnight Blue: Fifty […]
Date: March 16, 2020
The Latina Book Club recently announced its 2nd Annual Books of the Year List. All books chosen were either written by Latino authors, or contain noteworthy Latino characters. Verónica Reyes’ beautifully […]
Date: March 16, 2020
Amy Schutzer gave an interview to Shelf Unbound and talked about her creative writing process and influences for her new book, Spheres of Disturbance. “When I begin a novel, it is […]
Date: March 16, 2020
If you have ever wanted to get a taste of Ellen Meeropol’s writing, here is a great opportunity. Shakinglikeamountain.com has posted an enticing excerpt from Ellen’s Spring 2011 title House Arrest. […]
Date: March 3, 2026
Each line is a steady and reassuring four beats in length, filled with words that help move the story along.
Date: February 18, 2026
Full review to come March 1! “The characters’ journeys are candid and vulnerable, rendering a pertinent, rich portrait of displaced lives reshaped by conflict and its enduring consequences.” —Booklist
Date: February 11, 2026
Mysticism and science merge in the story of a Louisiana artist. Pence tells her story in language on the border between poetic and precious.
Date: February 3, 2026
This week’s Thirst Quencher doesn’t tiptoe, it kicks the door in. Kill Dick by Luke Goebel is dark, unsettling, and unexpectedly funny, driven by characters and ideas that refuse to […]
Date: February 3, 2026
Abi Pollokoff’s debut poetry collection night myths • • before the body, released this year from Red Hen Press with much advanced praise, is so deft in execution, so consistent […]
Date: February 3, 2026
The daughter of a pharmaceutical executive gets ensnared in criminal mischief in this ambitious blend of social satire and sunshine noir from Goebel (Fourteen Stories, None of Them Are Yours). […]
Date: January 27, 2026
Helen Benedict’s THE SOLDIER’S HOUSE (2026) completes her Iraq war trilogy, that began with SAND QUEEN (2011) and was followed by WOLF SEASON (2017). But the new book is actually […]
Date: January 27, 2026
“…Shot through with the sort of pseudo-profundity endemic to youthful privilege, Susie’s rambling, terminally jaundiced narrative paints a darkly surreal Lynch- and Kubrick-inspired portrait of LA.”
Date: January 21, 2026
Luke B. Goebel’s winking satirical novel Kill Dick parodies contemporary literary and cultural forms. Set against sun-bleached Los Angeles—a place marked by wealth, addiction, and apathy—the book accumulates exaggerations of […]
Date: January 20, 2026
How does one build an identity? It’s an ongoing venture of discerning and refining, discarding narratives as much as creating them. For a poet, especially one who writes autobiographically, that […]
