La Treintena: 30 Books of Latinx Poetry
Date: June 1, 2020
NYU’s The Latinx Project features two Red Hen titles: After Rubén by Francisco Aragón and Body of Render by Felicia Zamora!
Date: June 1, 2020
NYU’s The Latinx Project features two Red Hen titles: After Rubén by Francisco Aragón and Body of Render by Felicia Zamora!
Date: May 29, 2020
Tess Taylor’s poetry is a literary collage: an assemblage of the poet’s words and the ontology of California itself. In two collections out this year, Rift Zone and Last West: Roadsongs for Dorothea […]
Date: May 29, 2020
Still, digital events aren’t for everyone. Poet Tess Taylor is publishing two collections this spring, Last West: Roadsongs for Dorothea Lange, commissioned by New York’s Museum of Modern Art, and Rift Zone, […]
Date: May 29, 2020
The Millions Nick Ripatrazone lists Tess Taylor’s Rift Zone: California: pastoral, urban, suburban—home to myth and magic. Taylor’s book is geologic in concept and theme, both panoramic and particular (her […]
Date: May 28, 2020
The Feminist Know-It-All: You know her. You can’t stand her. Good thing she’s not here! Instead, this column by gender and women’s studies librarian Karla Strand will amplify stories of the creation, access, use and […]
Date: May 27, 2020
On this episode of Rekindled, Andrew Altschul is in conversation with Ellen Meeropol. Andrew Altschul’s third novel, The Gringa, was published the day before the World Health Organization declared the coronavirus crisis […]
Date: May 27, 2020
“She inspired me as a model of persistence.” So says Tess Taylor, a poet in the Bay Area, who undertook the journey once travelled by Dorothea Lange, the extraordinary woman photographer. […]
Date: March 16, 2020
The December 2013 issue of O, The Oprah Magazine calls the poems in Slice of Moon, “unexpected and sublime.” Find a copy to see Kim’s new collection featured in the “Put It In […]
Date: March 16, 2020
We are delighted that Red Hen's readings at the Annenberg Community Beach House were ranked as the most-liked poetry reading of 2014 on
Date: March 16, 2020
Date: May 6, 2009
Dan Wickett, on the widely-read blog for his Emerging Writers Network, lists Earthquake I.D. as one of the best books of 2007, and awards it 4 stars. "A great, jam-packed […]
Date: May 6, 2009
Praise for Earthquake I.D. from Thomas Burke, in THE LITERARY REVIEW (50/3, Spring 2007): "an exploration of contrasts: opulence and destitution; the loved, the loving, and the dissatisfied; intractable guilt, […]
Date: May 2, 2009
"Everything I write requires this: Alphabet." A child sees letters first, "shape distinguishing itself from its background," but soon we lose the innocence of that first encounter to ideas of […]
Date: April 24, 2009
Dungy's first poetry collection offers a number of ways to look at what is considered to be a part of nature, whether it is a part of the plants or […]
Date: April 22, 2009
Sholeh Wolpe's Rooftops of Tehran is that truly rare event: an important book of poetry. Brushing against the grain of Persian-Islamic culture, she sings a deep affection for what she […]
Date: April 19, 2009
Perhaps there is no present, and existence is built of the alterable past moving into the alterable future, and then through the opaque door of death. Or perhaps there is […]
Date: April 18, 2009
http://edwardbyrne.blogspot.com/2007/04/leslie-heywood-proving-grounds.htmlMONDAY, APRIL 2, 2007Leslie Heywood: THE PROVING GROUNDSLeafing through the work in Leslie Heywood's premiere book of poetry, The Proving Grounds, one quickly becomes accustomed to uncovering sometimes uncomfortable and […]
Date: April 16, 2009
"In the debut collection from Kentucky poet Nickole Brown, readers experience the pleasures of poetry "the illuminated moment reverberating" as well as the pleasures of the novel–the narrative unfurling, driven […]
Date: April 16, 2009
"If you feel that high emotion and unalienated confession is not art, as Slavoj Zizek might assert that it cops to the System where the individual is valued for trying […]
Date: April 16, 2009
"Brown's awareness of the book's form, its how in addition to its what, allows for these poems' rich complexities. The order not only forms a linear narrative, but layers experience. […]