Date: March 16, 2020
Ron Koertge reads with Andrea Scarpino and Mindy Nettifree at Beyond Baroque’s RED(D)DRESS series, curated by Red Hen’s own Brendan Constantine and filmed by the fine folks of Poetry.LA
Date: March 16, 2020
The Italian translation of John Domini’s EARTHQUAKE I.D. is a finalist for a major Italian award in the novel, the Domenico Rea prize. There are only five finalists, and TERREMOTO […]
Date: March 16, 2020
Recently, The Omaha Public Library chose Karen Gettert Shoemaker’s new novel, The Meaning of Names, as its 2014 Omaha Reads Selection. To complement this, the library interviewed Karen on everything from […]
Date: March 16, 2020
The Italian title is Terremoto Napoletano, the translator Stefano Manferlotti, and the press Tullio Pironti Editore. Early reviews have been very strong. In Il Mattino, Fabrizio Coscia calls it: “a voyage […]
Date: March 16, 2020
Ron Egatz’s poem “Valve Job,” from his collection Beneath Stars Long Extinct, has been featured on Verse Daily! Check it out here.
Date: March 16, 2020
Future Red Hen author Rodney Wittwer, whose first collection, Gone & Gone, hits shelves in September, has been awarded an Artist Fellowship from the Massachusetts Cultural Council. He was one of […]
Date: March 16, 2020
Karen Shoemaker’s The Meaning of Names is the official selection for the 2016 One Book One Nebraska program! The One Book One Nebraska program is sponsored by the Nebraska Center for the […]
Date: March 16, 2020
And We Shall March blog shared the news that Log Angeles poet, Douglas Kearney, just recieved one of the coveted 2008 Whiting Writers Awards, a $50,000 prize bestowed upon writers […]
Date: March 16, 2020
National Poetry Month has come and gone, as it does every year. It’s a fairly new phenomenon, the National [Art Form] Month; National Poetry Month only dates from the mid […]
Date: March 16, 2020
John Domini, a Red Hen Press author, publishes many book reviews. One published review, found in Bookforum, has been selected by the National Book Critics Circle as a feature for their blog and […]
Date: April 27, 2015
Recently, Sara Lippmann, writing for Sunday Salon, interviewed Red Hen author Chris Tarry about his new short story collection, How To Carry Bigfoot Home, his writing process, his music, and […]
Date: April 6, 2015
Recently, Samir Atassi, writing for the River Teeth Journal, published a review of Elissa Washuta's memoir, My Body Is a Book of Rules, and had great things to say about […]
Date: April 6, 2015
Recently, The Conversant published a conversation between Red Hen author Adrianne Kalfopoulou and Jane Satterfield. The two discuss everything from genre, to motherhood, to biculturalism. To read the fascinating conversation […]
Date: April 6, 2015
Recently, Library Journal Express Review published a review of Jim Knipfel's new novel, Residue, and had great things to say about the book's tone and sense of humor. "This quirky, […]
Date: April 1, 2015
Recently, Kevin Rippin, writing for Monkeybicycle, published a review on David Mason's poetry collection, Sea Salt, Poems of a Decade: 2004-2014, and had some great things to say: "These poems […]
Date: April 1, 2015
The Spring Issue of The Georgia Review will feature a review by Jo McDougall of William Trowbridge's poetry collection, Put This On, Please. Here are some of the great things […]
Date: March 24, 2015
Recently, Gary Dop, writing for the Green Mountains Review, reviewed William Trowbridge's poetry collection Put This On, Please, and had high praise for the book's balance of the serious and […]
Date: March 17, 2015
Recently, Kim Winternheimer, writing for Masters Review, published a review of Chris Tarry's new story collection How To Carry Bigfoot Home, and she sang Chris' praises. “Tarry’s work is lighthearted, […]
Date: March 17, 2015
Last month, Connie T. Braun, writing for Prism Magazine, published a review of Gary Geddes' poetry collection, What Does A House Want?: Selected Poems, and perfectly captured Gary's briliance. “This […]
Date: March 4, 2015
"Gainey’s first full-length poetry collection, the GAFFER, combines reflections on her lighting career with childhood memories and gender bending to illuminate the emergence of a female gaffer in the 1970s… […]
