Rob Roberge at The Nervous Breakdown
Date: November 1, 2010
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Congratulations, Nickole! Announcement
Date: August 18, 2010
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"Awake," from Rachel's collection Tongue, was recently
Date: March 12, 2026
The author lost her sister at the end of 2019; soon after, the world went into lockdown due to the Covid-19 pandemic, compounding Rikkers’ already overwhelming loss with a sense […]
Date: March 12, 2026
At the heart of Adrianne Kalfopoulou’s The re in refuge is the experience of crossing borders—primarily international, cultural, and linguistic but also erotic, psychological, and intellectual, among others. A Greek […]
Date: March 3, 2026
Each line is a steady and reassuring four beats in length, filled with words that help move the story along.
Date: February 18, 2026
Full review to come March 1! “The characters’ journeys are candid and vulnerable, rendering a pertinent, rich portrait of displaced lives reshaped by conflict and its enduring consequences.” —Booklist
Date: February 11, 2026
Mysticism and science merge in the story of a Louisiana artist. Pence tells her story in language on the border between poetic and precious.
Date: February 3, 2026
This week’s Thirst Quencher doesn’t tiptoe, it kicks the door in. Kill Dick by Luke Goebel is dark, unsettling, and unexpectedly funny, driven by characters and ideas that refuse to […]
Date: February 3, 2026
Abi Pollokoff’s debut poetry collection night myths • • before the body, released this year from Red Hen Press with much advanced praise, is so deft in execution, so consistent […]
Date: February 3, 2026
The daughter of a pharmaceutical executive gets ensnared in criminal mischief in this ambitious blend of social satire and sunshine noir from Goebel (Fourteen Stories, None of Them Are Yours). […]
Date: January 27, 2026
Helen Benedict’s THE SOLDIER’S HOUSE (2026) completes her Iraq war trilogy, that began with SAND QUEEN (2011) and was followed by WOLF SEASON (2017). But the new book is actually […]
Date: January 27, 2026
“…Shot through with the sort of pseudo-profundity endemic to youthful privilege, Susie’s rambling, terminally jaundiced narrative paints a darkly surreal Lynch- and Kubrick-inspired portrait of LA.”