News:

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Reviews:

Interpretive Work: reviewed in The Constant Critic by Jordan Davis

Date: May 9, 2009

Bradfield's poems are stocked full of unfamiliar words, statistically-improbable phrases, sonorous lines, shapely stanzas, endearing arguments and compelling personalities. Her recurring subjects wear much better than her recurring tropes. I […]

Confessions of an editor

Date: May 7, 2009

Review by Nina MacLaughlin in The Boston Phoenix, June 21, 2008 In Safe Suicide, an assemblage of revealing, interrelated essays, DeWitt Henry ” Emerson professor, writer, and founding editor and […]

A bountiful harvest of thoughts on life’s journey

Date: May 7, 2009

Review by Chuck Leddy in The Boston Globe, April 21, 2008 A bountiful harvest of thoughts on life's journeyBy Chuck Leddy April 21, 2008 Safe Suicide: Narratives,Essays, and MeditationsBy DeWitt […]

Safe Suicide: review by Rand Richards Cooper

Date: May 7, 2009

Safe Suicide reviewed by Rand Richards Cooper in AMHERST MAGAZINE, fall 2008In Safe Suicide, the Boston-based novelist, professor and editor DeWitt Henry has collected his autobiographical essays first published in […]

Andrew Kozma’s review in American Book Reviews

Date: May 6, 2009

"Green is an intensely formal poet–not in tone, but in construction. Look at that table of contents again: five groups of ten. A desire for symmetry, some revelatory order. He […]

4-stars, Emerging Writers Network

Date: May 6, 2009

Dan Wickett, on the widely-read blog for his Emerging Writers Network, lists Earthquake I.D. as one of the best books of 2007, and awards it 4 stars. "A great, jam-packed […]

Thomas Burke, long rave review, LITERARY REVIEW

Date: May 6, 2009

Praise for Earthquake I.D. from Thomas Burke, in THE LITERARY REVIEW (50/3, Spring 2007): "an exploration of contrasts: opulence and destitution; the loved, the loving, and the dissatisfied; intractable guilt, […]

Library Journal Issue 5/Arts and Humanities

Date: May 2, 2009

"Everything I write requires this: Alphabet." A child sees letters first, "shape distinguishing itself from its background," but soon we lose the innocence of that first encounter to ideas of […]

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