Date: April 13, 2026
Andrew Lam fled Vietnam at the age of 11 in 1975, seeking refuge in the Bay Area of California, and now he stopped by Suffolk to share his perspective through […]
Date: April 13, 2026
STORIES FROM THE EDGE of the Sea (2025), Andrew Lam’s newest collection of short stories, assembles the raw experiences of the Vietnamese diaspora into a beautiful confection. Experimental at times but […]
Date: April 8, 2026
Ten years in the making, “Kill Dick” takes a big swing at the great American novel in a time when both taking big swings and the idea of the great […]
Date: April 8, 2026
Writer Luke Goebel has been leaving his mark across Los Angeles with a series of spray-painted ‘Kill Dick’ stencil designs on sidewalks throughout the city. Goebel, who recently drove down […]
Date: April 7, 2026
After experiencing firsthand the devastation of opioids, Luke Goebel says he wrote his new novel as a form of “direct action against the major dicks that kill us all.” Writing […]
Date: April 6, 2026
In Brentwood, college dropout Susie sinks into lethargy, surrounded by her family’s riches, aided by a pill habit. But her life of leisure and luxury comes to a fast halt […]
Date: April 6, 2026
A teenage addict and an ex-professor running a rehab scam find common ground in Luke Goebel’s dark and satirical literary thriller Kill Dick, out on 14 April. Susie Vogelman is […]
Date: April 6, 2026
Imagine a novel written in the style of Vice magazine. That’s Kill Dick, Luke Goebel’s debut. This unhinged work of bicoastal art world satire imagines Sackler-family revenge from the vantage of an NYU […]
Date: April 2, 2026
Can you even remember when the U.S. went to war with Iraq in 2003, when President George W. Bush announced that, “at this hour, American and coalition forces are in the early […]
Date: March 31, 2026
Author Amy Pence shares her “silver linings playbook” to publishing past a certain age and how being a late-bloomer can be a plus.
Date: September 12, 2013
In the most recent issue of Glint Literary Journal Brenda Mann Hammack lauds Nicelle Davis' Becoming Judas.- "Davis’ book does not wallow in masochism or confessionalism. Instead, Becoming Judas comes […]
Date: September 6, 2013
The Baton Rouge Advocate's Andrew Burstein comments on the southern ancestry in the poems of Tess Taylor's The Forage House.- "Taylor intuits history through her engagement with pieces and particles […]
Date: September 6, 2013
Theresé Samson Wenham from NewPages commends Ernest Hilbert on his "honesty of character" and the "resonance of his language" in the poems of All of You on the Good Earth.- […]
Date: September 6, 2013
Julia Ann Charpentier from ForeWord Reviews is impressed with John Van Kirk's Song for Chance.- "Van Kirk depicts the world of an aging rock star by alternating between soft reminiscence […]
Date: August 30, 2013
Carmela Ciuraru from the San Francisco Chronicle calls Tess Taylor's The Forage House a "stunning debut collection."- "The most fascinating biographical fact about Taylor is not that she can trace […]
Date: August 30, 2013
Marguerite Nguyen applauds the way Andrew Lam "undertakes the tricky task of interweaving a journalistic eye for detail with imagined dialogues and psychic journeys" in her review of Birds of […]
Date: August 30, 2013
Anne Yale from Voice in the Wilderness admits that she "could not put down" Nicelle Davis' Becoming Judas.- "A fascinating foray into iconographic studies, Becoming Judas examines, interprets, questions, challenges, […]
Date: August 21, 2013
Camille Guillot from Oxford American praises the "curated mood of a small museum" present in Tess Taylor's The Forage House.- "Every so often there is a book of poetry that […]
Date: August 21, 2013
Anna Challet from Tikkun discusses the stories of Andrew Lam's Birds of Paradise Lost.- "…each story is a world unto itself. Lam’s characters are haunted by what they have lost, […]
Date: August 21, 2013
Sandy Longhorn from Atticus Review praises the language and layers of meaning found in the poems of Carolyn Guinzio's Spoke & Dark.– "Spoke & Dark requires much of the reader, […]
