Kirkus Reviews Puts YOUR NOSTALGIA IS KILLING ME By John Weir on its Best Short Fiction of 2022 List!
Date: November 14, 2022
Sharp, elegiac, angry, funny stories with a searing loneliness often just underneath the surface.
Date: November 14, 2022
Sharp, elegiac, angry, funny stories with a searing loneliness often just underneath the surface.
Date: November 7, 2022
The upcoming book recounts the author’s experiences as drummer/percussionist with Dead Can Dance through the 1980s, his contribution to This Mortal Coil and being a guest on several 4AD recordings. […]
Date: November 7, 2022
Pamela Uschuk is a poet, political activist, and wilderness advocate. She is also a cancer survivor, and in this week’s segment of KNAU’s series PoetrySnaps!, she shares a poem that […]
Date: November 7, 2022
Poet Anna V.Q. Ross knows what to leave unsaid, knows the just enough to send the reader’s blood and mind alight.
Date: November 7, 2022
Allison Joseph, a poet of Caribbean descent, visited Bradley on Nov. 3 in the Wyckoff Room of the Cullom-Davis Library to present a reading of her own poems and her […]
Date: November 2, 2022
All the way from England, my very special guest drummer/ percussionist Peter Ulrich of Dead Can Dance and The Peter Ulrich Collaboration. Peter has written a new book called “Drumming […]
Date: October 27, 2022
Bestselling authors William Bernhardt and Rene Gutteridge discuss the latest news from the book world, offer writing tips, and interview Cai Emmons, author of two new books this month, Livid […]
Date: October 25, 2022
“I Only Cry with Emoticons” by Yuvi Zalkow (2022) Portland writer Yuvi Zalkow captures today’s simultaneously awkward and endearing digital age with “I Only Cry With Emoticons.” The novel’s protagonist […]
Date: October 17, 2022
William Archila’s The Gravedigger’s Archaeology won the Letras Latinas/Red Hen Poetry Prize and his first collection The Art of Exile won an International Latino Book Award. He was featured in Spotlight on Hispanic Writers, […]
Date: October 17, 2022
“The Colonel” is a poem of witness because it focuses on the human rights violations in El Salvador, but most importantly because it has revealed the ways in which a […]
Date: March 16, 2020
Amplified Dog Charles Harper Webb. Red Hen (CDC, dist.), $15.95 (96p) ISBN 978-1-59709-022-3 In the title poem of Charles Harper Webb’s sixth book of poems, Amplified Dog, a dog barking […]
Date: March 16, 2020
The sonnet is an enduring lyric monument, one of the few postclassical forms that refuses to die. Almost every major poet writing in a Western language has attempted to stand […]
Date: March 16, 2020
“The poem mingles aural and visual music: The caesurae [unable to be reproduced here] audibly create rhythm, while visually recalling the fragments of the fractal that are repeatedly broken down […]
Date: March 16, 2020
To read Lyn Lifshin’s, Persephone, is to be energized by a flow of poems which catapult through the book’s 181 pages. Prophetically, none of her poems ends with a period […]
Date: March 16, 2020
Shanan Ballam, writing for New Letters Magazine, gives high praise to William Trowbridge’s Put This On Please. “Trowbridge’s technical and emotional gifts create a bond of trust with readers, making us want […]
Date: March 16, 2020
Huge thanks to Publisher’s Weekly for the review on BAD STORIES, which they call “A worthwhile foray into understanding and responding to the Trump era.”
Date: March 16, 2020
Westechester Magazine writes about Jim Tilley, dubbed “The Poet of Wall Street,” and his new book of poetry, In Confidence, published by Red Hen Press.
Date: March 16, 2020
Thanks to Anna Call from Foreword for the great review of Florencia Ramirez’s EAT LESS WATER, calling it “a charming work that gets its point across beautifully.”
Date: March 16, 2020
“Greene has come through an extraordinary trial both at home and abroad advocating for Peter. She is clear-eyed about the fact that both of her Russian-born children face unusual challenges, […]
Date: March 16, 2020
In the lead-up to the 2011 Tucson Book Festival, Jarret Keene published this review of Cynthia Hogue’s Or Consequence–in the Tucson Weekly (10 March 2011).