THE WILDERNESS author Maurya Simon wrote for Literary Matters!
Date: June 6, 2022
I had two reasons for enrolling in Pitzer College in 1978: to finally complete my B.A. and to study with poet Bert Meyers, whose poetry had knocked me off my […]
Date: June 6, 2022
I had two reasons for enrolling in Pitzer College in 1978: to finally complete my B.A. and to study with poet Bert Meyers, whose poetry had knocked me off my […]
Date: June 6, 2022
Disengaged…a story about my relationship to computers and the internet and social media, and also about my own insecurities with who I am.
Date: June 6, 2022
The first Pride was a riot and this June, our fight persists. This month, we hope you’ll say gay (bi, lesbian, ace, trans, nonbinary, and more) and we’ve got some […]
Date: June 6, 2022
The judge’s remarks: Ned Balbo had this to say about his choice: I’m delighted to select Allison Joseph’s Lexicon as winner of Poetry by the Sea’s Best Book of 2021 […]
Date: June 6, 2022
Today we’d like to introduce you to Kate Gale. Hi Kate, it’s an honor to have you on the platform. Thanks for taking the time to share your story with […]
Date: June 1, 2022
“The first critical essay I ever wrote was about the movie Dead Poets Society, which came out when I was fourteen. I wasn’t yet writing poetry myself, and I didn’t have any theories about why […]
Date: June 1, 2022
A society is only as healthy as its teachers. Ours, you might say, is in trouble, partly because our teachers often feel underappreciated and unseen. Yet most of us can […]
Date: June 1, 2022
Today’s poem is by Diane Thiel “A misunderstanding of a fresco,a figure with papyrus on the east wall.Someone assumed wrong two centuries ago,but the name remained—the House of the Tragic Poet.
Date: June 1, 2022
Charles Harper Webb, author of Ursula Lake, talks to the podcast, “Poet Runner.”
Date: June 1, 2022
I met Kristen Millares Young at Fort Worden, an Indigenous gathering place taken by the federal government, which installed concrete bunkers in the cliffs overlooking Salish Sea. Decommissioned for military […]
Date: April 23, 2025
MBR Bookwatch features a review of Kim Dower’s latest poetry collection, What She Wants, written by Mary Cowper. “Her word smithing, poetry based storytelling skills are truly impressive.”
Date: April 22, 2025
Scott Simon joins Nancy Kricorian for a conversation about her novel The Burning Heart of the World. Simon praised the book as “a wonderful novel … tough and moving”.
Date: April 22, 2025
Nancy Kricorian’s latest novel, The Burning Heart of the World, is a powerfully spare, poetic evocation of the 15-year Lebanese Civil War (1975−1990) and its long-term impact on one Armenian family living in Beirut. It’s the […]
Date: April 22, 2025
“In this graceful, assured, and incandescent collection, Paschen explores her relationship with her mother, the trailblazing Osage prima ballerina Maria Tallchief, and her mother’s life and family, while also delving into Osage […]
Date: April 17, 2025
“Nancy Kricorian grew up in Watertown in a two-family house where her grandmother, a survivor of the Armenian genocide, lived in the apartment upstairs. The community was rich in Armenian […]
Date: April 15, 2025
Peggy Shumaker, a stalwart supporter of Alaska writers and the larger arts community, is a professor emerita from the University of Alaska Fairbanks and a former Alaska writer laureate. Author […]
Date: April 9, 2025
Cynthia Hogue’s poetry collection instead, it is dark is reviewed by Hugh Martin in War, Literature & the Arts Journal. Martin praises the book as one that “probes this darkness […]
Date: April 2, 2025
Angel Eye, the second book in Madeleine Nakamura’s series, has received a Kirkus Starred Review. “Nakamura has knocked it out of the park once again here… Readers will be thrilled […]
Date: April 1, 2025
Malia Márquez’s City of Smoke and Sea is highlighted in Cole Reviews. “City of Smoke and Sea is a quick yet immersive read, packed with strong character development and world-building. […]
Date: April 1, 2025
Nancy Kricorian’s The Burning Heart of the World is reviewed by Nanore Barsoumian in the Armenian Weekly. “We surrender to its fabled beauty, letting Kricorian’s storytelling dazzle while extracting meaning […]