Lara Ehrlich’s Alumni Profile (Q&A) w/ The University of Chicago!
Date: November 30, 2020
What kind of work have you done since MAPH? I see you work as marketing director for an arts festival, do you feel that your time at MAPH prepared you […]
Date: November 30, 2020
What kind of work have you done since MAPH? I see you work as marketing director for an arts festival, do you feel that your time at MAPH prepared you […]
Date: November 30, 2020
Vote for your favorites on Electric Literature’s Twitter and Instagram stories every day this week: round 1 (a whopping 16 matchups) today, round 2 Tuesday, quarterfinals Wednesday, semifinals Thursday, and the final face-off on […]
Date: November 30, 2020
Yes! I often Frankenstein stories, in part due to my inefficient drafting method. I tend to write and write and write and follow tangents without worrying too much about characters […]
Date: November 23, 2020
Corvallis-based writer Tracy Daugherty shares a selection from his new novella, High Skies, in this reading filmed at the Portland Art Museum. Catch this reading on Literary Arts’ Instagram Stories on November 19th, or stream it […]
Date: November 23, 2020
“My mother said girls have to take care of themselves. That’s how we avoid turning into sea foam and falling down wells. That’s how we escape hunters and kings who […]
Date: November 19, 2020
There’s nothing quite like witness the emergence of cicadas from their 17-year slumber. Of course it’s rather the noise you won’t soon forget. My senior year of high school cicadas […]
Date: November 19, 2020
Deborah A. Lott, author of DON’T GO CRAZY WITHOUT ME was featured in Southern California News Group’s “Lit Up: your guide to books, writers and the literary life of SoCal.” […]
Date: November 18, 2020
You evoke the landscape of Neah Bay incredibly well here; I’ve never been, but I felt a tactile sense of the place. How did you first become familiar with it? […]
Date: November 18, 2020
Boreal Books / Red Hen author, Mary Odden (Mostly Water: Reflections Rural and North, June 2020) is featured in the November 2020 issue of Alaska Magazine. Her article, “Once More […]
Date: November 16, 2020
As editor of SEISMIC:Seattle, City of Literature, I asked artists and storytellers to reflect on what it means for Seattle to be a City of Literature. While celebrating Seattle’s inclusion in […]
Date: March 16, 2020
Thanks to Anna Call from Foreword for the great review of Florencia Ramirez’s EAT LESS WATER, calling it “a charming work that gets its point across beautifully.”
Date: March 16, 2020
“Greene has come through an extraordinary trial both at home and abroad advocating for Peter. She is clear-eyed about the fact that both of her Russian-born children face unusual challenges, […]
Date: March 16, 2020
In the lead-up to the 2011 Tucson Book Festival, Jarret Keene published this review of Cynthia Hogue’s Or Consequence–in the Tucson Weekly (10 March 2011).
Date: March 16, 2020
Date: March 16, 2020
Steve Pfarrer of Gazette Net explores questions On Hurricane Island brings to the table: “Told from the perspective of a number of other characters, from both sides of the country’s political divide, […]
Date: March 16, 2020
Reviewed by Cindy Hochman from Skullwise Cat (page 69) “Teri Youmans Grimm’s account is as ambitious and seductive as Lyla Dore herself. With poems that unfold as grandly as scenes from the […]
Date: March 16, 2020
Sea Salt by David Mason was reviewed by The Dark Horse in their Autumn/Winter 2015 issue. It’s pretty exciting to read such a great review all the way from Scotland: “Reading Sea Salt is to […]
Date: March 16, 2020
Describing people, creating them from the ground up, is a slippery thing. They don’t stand still, like objects. Every fresh breeze, new thought, distant sound sets them trembling like leaves […]
Date: March 16, 2020
Jason Hess writes for New Pages, applauding If Not For This for its poignancy. “Pete Fromm’s If Not For This was the most moving novel I read in 2014…Fromm packs a lifetime […]
Date: March 16, 2020
Katie Rensch reviews Andrea Scarpino’s book of poetry Once, Then in New Pages, and commends its tender language. “These poems are intensely observational and perceptive…Whether describing the death of a childhood apple tree […]