Date: February 24, 2021
In a column for The Cut titled “How Am I?” Amil Niazi paints a grim picture of pandemic working motherhood. In the middle of her realistic itinerary piece about care of two young children while […]
Date: February 24, 2021
The woman on the cover of Lara Ehrlich’s debut short story collection appears to be almost airlifted from the 1950s—she could be an actor from The Donna Reed Show or perhaps a […]
Date: February 24, 2021
What’s the next step after you finally “make it”? While it’s easy to scoff at the problems of people who are financially set, it’s not uncommon to lose a sense […]
Date: February 22, 2021
Many of Kinsolving’s poems relate to science. Her first book focused on horticulture and floral metaphor. The poems in another book examined aphasia and dementia’s linguistic enigma. Her most recent […]
Date: February 19, 2021
This year welcomes a slate of Black authors who will publish young adult fiction ranging in subject matter, but sharing one common goal: to expand what it means to see […]
Date: February 11, 2021
Self-care has never been more important than it is right now, and that’s especially true for Black women, who have had to juggle work, family, personal lives, and more amid ongoing […]
Date: February 8, 2021
Tobi Harper is Deputy Director of Red Hen Press, Founder and Editor of Quill (a queer publishing series), Publisher of The Los Angeles Review, and Instructor for the UCLA Extension […]
Date: February 3, 2021
Before the pandemic hit, playwright Matthew-Lee Erlbach was working on a play about American labor movements between 1890 and 1920 — an era that many associate with seamstresses jumping out […]
Date: January 25, 2021
My mom says every mother needs a daughter. It’s not that she doesn’t love and appreciate her two sons. My middle brother knows best how to comfort her in times […]
Date: January 20, 2021
Each year, the editors of The Believer present awards to the works of fiction, nonfiction, and poetry they find to be the best written and most underappreciated. For the first time ever, […]
Date: March 16, 2020
Shanan Ballam, writing for New Letters Magazine, gives high praise to William Trowbridge’s Put This On Please. “Trowbridge’s technical and emotional gifts create a bond of trust with readers, making us want […]
Date: March 16, 2020
“The poem mingles aural and visual music: The caesurae [unable to be reproduced here] audibly create rhythm, while visually recalling the fragments of the fractal that are repeatedly broken down […]
Date: March 16, 2020
To read Lyn Lifshin’s, Persephone, is to be energized by a flow of poems which catapult through the book’s 181 pages. Prophetically, none of her poems ends with a period […]
Date: March 16, 2020
Sixty Sonnets, Reviewed by Maryann Corbett One look at the cover of Sixty Sonnets lets you know you’re dealing with a poet who’s got both slyness and chutzpah—at least if poet Ernest […]
Date: March 16, 2020
Huge thanks to Publisher’s Weekly for the review on BAD STORIES, which they call “A worthwhile foray into understanding and responding to the Trump era.”
Date: March 16, 2020
Westechester Magazine writes about Jim Tilley, dubbed “The Poet of Wall Street,” and his new book of poetry, In Confidence, published by Red Hen Press.
Date: March 16, 2020
Thanks to Anna Call from Foreword for the great review of Florencia Ramirez’s EAT LESS WATER, calling it “a charming work that gets its point across beautifully.”
Date: March 16, 2020
“Greene has come through an extraordinary trial both at home and abroad advocating for Peter. She is clear-eyed about the fact that both of her Russian-born children face unusual challenges, […]
Date: March 16, 2020
In the lead-up to the 2011 Tucson Book Festival, Jarret Keene published this review of Cynthia Hogue’s Or Consequence–in the Tucson Weekly (10 March 2011).
Date: March 16, 2020
