KQED features Andrew Lam, author of STORIES FROM THE EDGE OF THE SEA
Date: April 29, 2025
KQED features Andrew Lam on its Perspectives series, where he reflects on the enduring memories of the Vietnam War.
Date: April 29, 2025
KQED features Andrew Lam on its Perspectives series, where he reflects on the enduring memories of the Vietnam War.
Date: April 29, 2025
Adela Najarro is a poet with a social consciousness who is working on a novel. She serves on the board of directors for and works with the Latine/x community nationwide, promoting the […]
Date: April 29, 2025
“Blood Wolf Moon” begins with a long poem called “Heritage,” which consists of a bracelet of poems modelled after a crown of sonnets. At one stage, the long poem was […]
Date: April 29, 2025
The Orange County Register spotlights several Vietnamese American artists, including Andrew Lam, who shares his personal story of fleeing Vietnam for the United States as a child just before the […]
Date: April 24, 2025
CHICAGO (WGN) — Some believe destiny is whispered through the wind. Among the tall grass of Oklahoma’s Osage Tribal Reservation, many stories slip between its reeds. Some stories are about wealth, […]
Date: April 23, 2025
Andrew Lam is interviewed in Metro Silicon Valley’s article, “A Half-Century After Saigon’s Fall, the Diaspora Writes On.” In the conversation, Lam reflects on how writing has been a therapeutic […]
Date: April 22, 2025
by Lynnell Edwards, poetry faculty and associate programs director On the eve of the Kentucky Book Festival last November, a novelist friend came up to me at the writer’s reception […]
Date: April 17, 2025
“There’s a moment that may surprise you reading Percival Everett’s novel James, a reimagining of Huck Finn’s Black sidekick and their treacherous journey to freedom. It’s the moment when you take a break […]
Date: April 15, 2025
Red Hen Press authors Clarence Major and April Ossmann were featured on the April 2, 2025 edition of Dr. Andy’s Poetry and Technology Hour. Both authors discussed their latest Red […]
Date: April 15, 2025
After “Killers of the Flower Moon” By Elise Paschen Lily Gladstone confides she wore my great grandmother Eliza’s blankets in three scenes. I don’t remember my great grandmother, though in a […]
Date: March 16, 2020
“The poems have a sardonic, lacerating edge, in the mode of the best confessional poems which admit to the political (Lowell, Plath, Wojahn, etc.).”
Date: March 16, 2020
Florencia Ramirez’s Eat Less Water was listed as one of the 22 Books for Winter 2018 by Food Tank, an innovative team focused on rethinking the food system and alleviating world hunger. Eva Perroni […]
Date: March 16, 2020
“Many of Green’s speakers seem to desire to disappear, to re-work the equation for subtraction. It is the frustration caused by a world that fails to allow disappearance which provides […]
Date: March 16, 2020
“With his mastery of language and eye for detail, Doyle’s characters always feel authentic, and their ups and downs are realistically proportioned. His gift for finding the sublime in even […]
Date: March 16, 2020
The Bob and Weave Jim Peterson. Red Hen (CDC, dist.), $16.95 (120p) ISBN 1-888996-65-X Jim Peterson’s poems are filled with the things of this world– its horses, hands, stones, and […]
Date: March 16, 2020
Recommended and briefly reviewed by Eduardo C. Corral in Poetry Magazine. The poems in Father, Child, Water by Gary Dop are funny, wicked, and poignant. These three qualities are visible […]
Date: March 16, 2020
Martha K. Davis’ SCISSORS, PAPER, STONE was recently reviewed by Gertrude Press’ Jess Travers. The novel, narrated in alternating chapters by Catherine, her adopted daughter Min, and Min’s best friend […]
Date: March 16, 2020
“The Chicago poet has spread the good wordings via book, CD, and subway.”
Date: March 16, 2020
Timothy Lindner of The Literary Review gave a great review for Gary Dop’s Father, Child, Water! Lindner spotlights and relates to how Dop focuses on paternal relationships and their ability to shape our […]
Date: March 16, 2020
Scott Hightower reviews Cynthia Hogue’s Or Consequence in the arts review, Fogged Clarity (April 2011). According to Hightower, Hogue is “a poet of extreme precision and no histrionics.”