News:

Kelly Barth chats with Gary Henry from LJWorld.com

Date: September 6, 2012

In a recent article on LJWorld.com, Kelly Barth spoke with Gary Henry about religion, sexuality, and her memoir My Almost Certainly Real Imaginary Jesus. – "Advance notices from other authors […]

Tess Taylor chats with NPR’s Melissa Block

Date: August 21, 2012

Tess Taylor discusses poetry with NPR's Melissa Block for the station's NewsPoet project.- “As a poet I get to break the frame of the day and make it something different. […]

Suck on the Marrow in the San Francisco Examiner

Date: July 21, 2011

The San Francisco Examiner's LJ Moore gives Suck on the Marrow a rave review, writing "Suck on the Marrow is ambitious, complex, unflinching, and ultimately welcoming, so that the ugliness, […]

A Measure’s Hush Review

Date: May 6, 2011

Anne Coray's newest title A Measure's Hush, published by Boreal an imprint of Red Hen, was given a shining review in the Fairbanks Daily News-Miner: "But really great poets take […]

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Reviews:

Publishers Weekly reviews Didi Jackson’s MY INFINITY

Date: November 19, 2024

“I am good with secrets,” Jackson confesses early in her subtle latest (after Moon Jar). She makes good on that statement in poems that detail the secrets of the departed, including […]

The Manhattan Review reviews Susan Rich’s BLUE ATLAS

Date: October 15, 2024

Blue Atlas is an absorbing and heart-wrenching collection that revolves around the poet’s decision, thirty years back, to have an abortion rather than go full term with an unplanned pregnancy. As […]

Hyperallergic reviews Didi Jackson’s MY INFINITY

Date: September 17, 2024

If Hilma af Klint’s monumental paintings could speak, what would they say? Didi Jackson answers this with a resonant collection of poems, several written from the perspective of the Swedish […]

Poetry Foundation reviews Didi Jackson’s MY INFINITY

Date: September 10, 2024

In Didi Jackson’s My Infinity, the “Northern sky stands so straight, / it uses the largest pines for crutches;” “The moon’s marias emerge / like age spots, monochromatic and ashy;” and […]

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