Date: December 18, 2020
Enjoy a virtual conversation with widely traveled poet and performer, Keith Flynn, on December 18th at 7PM! We will be discussing his newest collection of poetry, The Skin of Meaning. Catch the […]
Date: December 16, 2020
An old post from 2019, featuring Elizabeth Bradfield’s TOWARD ANTARTICA. Though she writes in a completely different style than Oliver, Elizabeth Bradfield’s Toward Antarctica (Boreal Books, 2019) also belongs in the hands […]
Date: December 16, 2020
Generally, I don’t care about the new year. The clock ticking from December 31st to January 1st doesn’t mean much, other than time moving as it always does, bringing all […]
Date: December 14, 2020
S2 E14 – Tracy Daugherty “In our Season 2 finale (probably), we welcome our friend Tracy Daugherty, the author of many books of nonfiction and fiction, to discuss his recent […]
Date: December 14, 2020
My list of the best Latinx poetry published this year includes After Ruben (Red Hen Press), a stunning collection of poems by Francisco Aragon, inspired by another of Latin America’s greatest poets […]
Date: December 14, 2020
To read “Caretaker” from Brewer’s collection visit the link below!
Date: December 14, 2020
A post-confessional collection by Francisco Aragón, After Rubén probes personal history, political identity, and place. Imitation is the highest form of flattery, and Aragón’s collection in response to Rubén Darío’s work shows his […]
Date: December 10, 2020
Welcome to our latest round-up of contributor books, featuring books published in the last half of 2020. (You can catch our round-up for the first half of 2020 here.) Below, you will […]
Date: December 9, 2020
Katharine Coles, former Utah Poet Laureate and current Distinguished Professor in the Creative Writing Program at the University of Utah, joins us today for Access Utah to talk about her […]
Date: December 9, 2020
Jennifer Risher, author of WE NEED TO TALK: A MEMOIR ABOUT WEALTH and her husband David Risher join Zibby Owens for a podcast. Listen on Youtube, iTunes or read the […]
Date: December 19, 2012
Abby Soto from The Seattle Lesbian applauds Kelly Barth's memoir: "My Almost Certainly Real Imaginary Jesus is the type of memoir that speaks truth to power in a way that […]
Date: December 12, 2012
Jessy Randall's Injecting Dreams into Cows is praised by Lisa Grove from the California Journal of Poetics.- “By the end of Injecting Dreams into Cows Randall has created a time […]
Date: November 28, 2012
Rodney Wittwer's Gone & Gone is reviewed by Mead magazine for their Fall 2012 volume.- "This first collection is marked by the authority and fearlessness of the voice, one willing […]
Date: November 9, 2012
Sandra Knauf praises Jessy Randall's Injecting Dreams into Cows for Rattle.- "Her scope is kaleidoscopic. She treasures and shares found poems. She digs deep and uses all the emotions in […]
Date: November 8, 2012
DLKeur from The Deepening reviews and praises Jessy Randall's Injecting Dreams into Cows.- Sometimes sexy, often hilarious, strange and yet familiar, the poems in Injecting Dreams into Cows will leave […]
Date: November 8, 2012
Dan Barnett reviews Gary Lemons' reading of Snake at the Butte College Reading Series. To read the full review, click
Date: November 8, 2012
J de Salvo from the The Bicycle Review praises Brendan Constantine's Calamity Joe. – “Constantine has always been a poet who was admired for his wit, his line, and for […]
Date: October 30, 2012
Here's what Michael Peck from Missoula Independent had to say about Kelly Barth's My Almost Certainly Real Imaginary Jesus. – "Unflinching and funny, the book concerns itself with the seeming […]
Date: October 9, 2012
Kaye Lynne Booth from Examiner.com reviews Jessy Randall's Injecting Dreams into Cows in a recent article.- "[Randall] has a knack for using language to surprise us and catch us off […]
Date: September 27, 2012
Annie McCormick praises Alice Derry's Tremolo in a recent review for Booklist. – “Derry’s quietly captivating collection connects us through each merciless tremble and reverberating refrain. It’s as if one’s […]
