News:

Black Earth Institue: Social Distancing

Date: June 4, 2020

In dreams I walk through crowds, brushing arms, knocking elbows. Skin to skin: hands are bare. Crocuses congregate in beds, along sidewalks. Unlatching city gates,

Poets.org: Aerial, Wild Pine

Date: June 4, 2020

A flare of russet,green fronds, surpriseof flush againstthe bare grey cypressin winter woods. Cardinal wild pine,quill-leaf airplantor dog-drink-water.Spikes of bright bloom–exotic plumage.

PSA: Francisco Aragón “1985”

Date: June 4, 2020

1985 Long and black, the streaksof gray, aflutter in the lightwind as she prepares to tell her story at the Federal Building:reaching into a tattered sackshe pulls out a doll […]

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Reviews:

EXTREMELY LIGHTWEIGHT GUNS reviewed by Rebellious Magazine!

Date: April 12, 2021

Nikki Moustaki’s debut collection of poetry captures this divide and dissociation while establishing themes of darkness and light within the difficult narratives of suffering and abuse. These poems juxtapose the […]

[PANK] reviews GHOST IN A BLACK GIRL’S THROAT!

Date: April 12, 2021

Khalisa Rae’s Ghost in a Black Girl’s Throat is like a newborn scream that’s been held in for eons. Sharp, strong, unapologetic, beautiful, and angry, the writing in this collection is a […]

Douglas Kearney’s PATTER reviewed by The Georgia Review

Date: March 18, 2021

In a decade of reading and writing about motherhood poetry—including an essay-review in these pages in 2019—I have found no universal truths about motherhood. However, as I’ve worked with poet […]

Tess Taylor’s RIFT ZONE reviewed on West Branch!

Date: February 24, 2021

Like many devoted bibliophiles, I love to visit archives. I sigh contentedly while enacting the familiar rituals of shutting the locker door on all of my belongings except two mechanical […]

Shelf Media Group reviews UNSEEN CITY by Amy Shearn!

Date: February 24, 2021

The Past Meets the Present Shearn’s book, Unseen City, is an unexpected entry into an historical home and the contrast between life and death. Or, perhaps more fitting, the contrast […]

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