My Life in Clothes… in The Economist!
Date: March 16, 2020
Summer Brenner’s My Life in Clothes has received a very nice review in The Economist! The title of the piece? “You should be reading Summer Brenner.” We agree! They go on to say, […]
Date: March 16, 2020
Summer Brenner’s My Life in Clothes has received a very nice review in The Economist! The title of the piece? “You should be reading Summer Brenner.” We agree! They go on to say, […]
Date: March 16, 2020
“Prophetic Outlook” [by Ernest Hilbert] Prophetic Outlook Crooks run the whole world, and the Dow just fell. Crap rules the airwaves. All your best plans stall. The air is dirty, […]
Date: March 16, 2020
Split This Rock named Tess Taylor’s The Forage House and Dan Vera’s Speaking Wiri Wiri under their annual poetry book recommendation list for 2013. “Every so often there is a book of poetry that […]
Date: March 16, 2020
Tar River Poetry gave a wonderful review of William Trowbridge’s Put This On, Please for their spring issue. He is praised for his skill of making poetry seem effortless and enjoyable for his […]
Date: March 16, 2020
Date: March 16, 2020
Congratulations to William Trowbridge, Missouri’s newly appointed Poet Laureate! He’s the author, most recently, of Ship of Fool. His next collection, currently untitled, is due out in 2014. Read the press […]
Date: March 16, 2020
Elise Paschen was featured in Harvard Magazine in a great article about her career as a poet. “Paschen’s poems are sharp arrows piercing some target in her personal landscape. Infidelities explores both the pleasures […]
Date: March 16, 2020
David Clewell, Poet Laureate of Missouri, gave an excellent review of William Trowbridge’s newest poetry collection Ship of Fool on Ron Slate’s website, On the Seawall. Focusing on a few of his […]
Date: March 16, 2020
Congratulations to Red Hen author Loren W. Cooper! She was recently announced as a finalist for the 2018 Endeavor Award. The award honors a distinguished science fiction or fantasy book, either […]
Date: March 16, 2020
Red Hen Press is proud to announce that Judy Grahn’s book love belongs to those who do the feeling, published by Red Hen Press in 2008, won the 21st Annual Lambda Literary […]
Date: February 17, 2021
Rae considers the intersection of history and modernity in the American South in her provocative debut. “The South will birth a new kind of haunting in your black girl-ness,” she […]
Date: February 3, 2021
One facet in poetry’s beauty is its urgency. Its collective need–which is beyond desire–to facilitate a process that weaves its spill and story. Urgency is one of the driving forces […]
Date: February 3, 2021
This could be called a book of odes, of praise songs, of quests punctuated with wry asides. Of poems saying not what the poet starts out to say, but what […]
Date: February 3, 2021
In Melanie Conroy-Goldman’s novel, The Likely World, Mel lets a drug called “cloud” spread over her mouth and wrap her in a state of forgetfulness. The story is told in a […]
Date: January 20, 2021
Plume has a number of talented editors, and given the extraordinary year the world faced, I thought asking them for some of their favorite books of 2020 made sense, as […]
Date: January 14, 2021
In Dariel Suarez’s debut novel, The Playwright’s House, to be released in June from Red Hen Press, the realities of living in Havana under a communist state are brought alive through […]
Date: January 13, 2021
When Jennifer Risher joined Microsoft in 1991, she met her husband, and with him became an extra-lucky beneficiary of the dot-com boom. By their early thirties, they had tens of […]
Date: January 13, 2021
A book of eerie, unnatural-nature events pushing one lone and lonely lesbian, returned to small-town West Virginia from a law-enforcement career, to deal with Life. After many years’ effort to […]
Date: January 13, 2021
“Rift Zone” by Tess Taylor, is a powerful, moving collection of poetry giving voice to the voiceless, and to those who express theirs in a whisper, a whimper, a growl, […]
Date: January 13, 2021
I went on this journey, to be sure, knowing where I was headed. The historical part wasn’t that historical to my frame of reference; the queer part contained my frame […]